Archive for October 24th, 2009

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Five Questions with AMBIVALENT (Minus/Detroit, USA)

Many people recognize Ambivalent (aka Kevin McHugh) as the upcoming artist featured on Richie Hawtin’s Minus imprint, and while that is true, there is the side I also remember from his days in New York when he hosted his “Micromini” nights at Filter 14, and was co-host with Camea on The Nerd Tank radio show on East Village Radio.  I know Kevin as a genuine purveyor and lover of techno, and before the craze of minimal, he was there from the early days.

I had a chance to speak with Kevin as he prepares to play in NY and LA Halloween weekend.  Now a Berlin transplant and in-demand artist globally, he still finds time to engage in a small chat.

Here are five questions I asked him. Enjoy.

Ambivalent

Deepak: It seems like you have been working with Richie for a long time.  when, where and how did you relationship develop and how has your relationship evolved now that your a Minus artist?
Ambivalent: I met Rich when I was doing a music festival for an arts organization called Creative Time. We did electronic music and art events under the Brooklyn Bridge. I kept asking Rich to do a show with us, and it never worked out. But we ended up talking about common interests and hung out whenever he was in NY. Eventually we started doing projects together. It wasn’t until a couple of years ago that he asked me to join the label as an artist. That was the beginning of a different phase of my life, but our friendship definitely influenced me tremendously.

Deepak: How has the move to berlin pushed your career along?  did you think twice about it, or was it an easy decision?   why do so many artists flock to Berlin?
Ambivalent: It definitely wasn’t an easy decision. I moved to NY in 1996, so it feels like home. I loved my life there, and would have loved to stay. But ultimately there was no way to make a living on my music and still pay a New York rent. Being in Berlin has made it possible to focus on my music rather than a day job. I also love European audiences and their dedication to this music culture. People recognize your work more clearly and appreciate it differently. There are great audiences in North America, also, but it seems that things take hold more slowly in the US.

Deepak: Do you have a favorite gig from this year you can tell us about?
Ambivalent: There are a few that stand out. I just played with a bunch of other Minus artists in a Contakt show at Brixton Academy in London. Piknik Electronik in Montreal was awesome. A great show at Cocoon club in Frankfurt and also the Monsters of House festival in Munich.
One of my favorite gigs was on a Sunday afternoon in an abandoned warehouse in Hamburg. The guys who do this party are so cool. They made this massive space feel so intimate just by propping these shipping containers around the space, and then they had people in furry animal costumes running around…it just felt like the kind of thing where there’s so much love put into a really underground event. That’s the stuff I keep hoping to see more of…

Deepak: Do you miss NY, and anything in particular about the city?
Ambivalent: My girlfriend still lives in Brooklyn, so I go back pretty often to see her and she comes to Europe pretty often as well. That tends to keep me from getting homesick. Of course there are friends who I miss, and certain things that I rush to when I get back. Namely good mexican food. One thing that you don’t get so often in other cities is the busy streetlife and people watching. I was in Paris this summer and a bus blew smog in my face, and it actually made me miss New York. That sounds so twisted, doesn’t it?

Deepak: What are a few differences and similarities of the scene in Berlin and NY?
Ambivalent: Well, the music scene in Berlin is different than it was a few years ago. I think it’s changed because so many people have heard the legends about certain clubs, etc. So now there seems to be a pressure for things to live up to. There are definitely nice things about being in a city with so many clubs and DJs that you can go out any night of the week and hear someone really good. The flip-side is that you don’t have the same excitement as you’d have in a so-called “smaller” scene. The NY parties I’ve been to since I left have really impressed me with their energy. I think it’s getting better all the time.

Join me in welcoming Ambivalent back to NY as he DJs our final Hidden Recordings Residency Night of 2009 and Halloween Eve Special on Friday October 30th!

Seth’s Picks of the Week – 24th of October 2009

10-23-09 Top 10

I’m happy to report that things are continuing to go well on the content front. Within the next few weeks, we’re going to have deals in place with a few new distributors. I won’t name names yet – counting chickens and what not – but I can say my job of picking the tracks for these posts is about to get much more difficult. I think I’ll make it though…

1. Landscapes (Tim Paris Remix)IdiomaMarketing. This is one of the better releases to come out this week. The Shit Robot Remix is fantastic.

2. Riffpunk (Original Mix)Bukaddor & FishbeckMy Best Friend / MBF. It’s hard to go wrong with anything on MBF. Bonusmeilen is no exception.

3. Escape Run (Original Mix)St. PlombBrut!. Another solid label, BRUT!, with another solid release. For a rather minimalistic track, it has a lot going on. Parts of Escape reminds me of robots under water. That can’t be a bad thing, right? Well, it could be for the robots I suppose.

4. Can’t get No Sleep (Roland Appel Remix)SubfossilBest Works Records. I’ve listened to all the tracks on this album several times. As your attorney, I advise you to check it out.

5. OTD (Original Mix)Toro 2.0Malatoid Records. Malatiod – these guys are really good at putting out things I like to hear, and OTD is one of my favorites. The way the bass plays off of the primary melody is great.

6. Intangable (Original Mix)XUMojodojo Media. As I was listening to this (and having just watched an interview with Richie Hawtin in which he discussed having 4 tables going at once and doing all kinds of crazy layering and looping), it struck me that this track could be great layered under something else. Not that it isn’t good enough by itself – I just think it could work quite well.

7. Mamastroficos No Time (Jason Statham Remix)Luis TrastoFairlads Digital Records. Listen to this one and you will hear disco sneaking its way in. It’s quite possible I’m alone in thinking this, or just wrong, but since disco has been making it’s charge, it seems like the tracks I’m hearing are getting more musical regardless of genre. Is nice. I like.

8. Fuschia (Original Mix)Royce HavenSweet Cherry Music. Good groover with just a little bit of grit on the bass – definitely a song to get the people moving.

9. Roller Coaster (Original Mix)Chriss RonsonAmbiosphere. Roller Coaster is nice, deep and smooth.

10. The Persian Eye (Pajic Re-work)Tim Xavier & Miro PajicLTD400. I’m a fan of pretty much anything Tim Xavier does. This collaboration with Miro Pajic is no exception. Quality.