
Claude VonStroke
Fabric 46
Fabric London
It’s been awhile since the Fabric series captured lightning -in-a-bottle, that rare programmed DJ mix that sounds musically refreshing and yet feels totally spontaneous like a live set. Perhaps it has been as far back as Luciano’s installment from last year, who knows? However, San Francisco producer and dirtybird founder Claude VonStroke humbly answers the call from the UK superclub armed with a stack of amazing tracks and a laptop full of Ableton. Personally, I’ve always been on the fence about this guy, not that it has all been his fault but because the farting bass template he created on cuts like “The Whistler” and “Deep Throat” has been ransacked by every joker from here to Bogota calling themselves “EEE-lec-ktro”. These days I can’t help but shudder sometimes when I hear his name. Thanksfully on his new Fabric mix VonStroke stretches out and away from his signature sound and showcases his wide tastes in house music- from the German kling und klong of Robag Whrume to the sheer, but perhaps overused, lushness of Stimming. He also tries to sneak in a few tracks from his own labels-although dirtybird is only mentioned once, on the last track, and it’s by VonStroke himself. Rather the focus here is more on his new techno influenced mothership offshoot- as is the whole disk-with the feeling that here’s a guy getting in touch with his extensive Detroit roots. Sometimes it doesn’t work (the Dinamoe/Clara Moto mash-up and another from Markus Schatz/Catz N Dogz) but overall the results are musically diverse enough for even the finickiest of listeners. Hardly any of the sounds or genres are out of place- as you might expect from an internationally recognized DJ- and all played with supremo confidence with just a dollop of humor. Well played, VonStroke.
Tags: Catz N Dogz, Claude VonStroke, Detroit, dirtybird, Fabric, London, mothership, San Francisco, Techno




7 Responses to “Claude VonStroke-Fabric 46”
Solid review Sean. Well written and insightful.
04/30/2009
i cant tell if this is posting but the track with Bootsy Collins I made with Bootsy Collins. It isn’t a sample.
05/02/2009
Hello Claude, not a single mention of the Bootsy track in this review so let’s keep in the realm of reality.
05/02/2009
Nice review Sean.
05/06/2009
What the $&@$ this album is crap! Since his first album, he has really gone downhill. I can’t stand those high pitch noises I hear in most of the tracks on Fabric 46, definitely not the kind of music you want to pump at are party! That Bootsey Collins track is still unfinished, no melody at all, I hate it! I say Barkley needs to put the weed down and get focused. It can catch up to you after a while. His sound used to be big boomy congo drum type stuff, now it’s quirky, high pitch, no melody crap! Waiting to hear his next release because if it’s not like his first album “Beware of the Bird” I will totally write him off…
08/18/2009
Kris’s reviews are aimed right at Claude Vonstoke to hopefully steer him in the right direction, I bet Aundy hates most of the album, melody is key, intact the last track probably has most potential…
08/18/2009
Ummm… not quite sure what is going on here but Greasy Beat, the track Claude wrote with Bootsy is unreal. The heavy bassline is huge and I am still wondering why there was no mention of it in the review, ridiculous. Got to respect the man for writing a track with someone he always wanted to produce with. Kris Hater obviously has no idea about the Dirtybird sound.
10/02/2009