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Buraka Som Sistema FABRICLIVE49

fabriclive49 cover

The latest FABRICLIVE CD, number 49, drops in the United Kingdom today from Buraka Som Sistema. What I find really intriguing about this set is that Buraka’s sound is the result of a thoroughly modern post colonial cultural exchange between Portugal and Angola, a former Portuguese colony. The unique sound started out with kids trying to make techno music in Africa on old analogue equipment. By the time it hit Lisbon, European dance music had been added to the mix and things were set to go off.  Talk about a cool back story…

This is my first exposure to this type of sound and it is definitely unlike anything that I’ve ever heard before. I did not like the CD the first time I listened to it, but then I read Buraka’s back story, listened a few more times, and got an understanding of where the sound came from and where they’re taking it. That opened my mind, and now when I listen to it I can totally picture myself getting down to one of their sets in a sweaty club somewhere, with poor ventilation and a slamming sound system. There is this universal vibe to the tracks they put together that reminds me of all the good times I’ve had dancing with friends and strangers at parties around planet earth.

The mix is scheduled to hit the U.S. on January 26, so be sure to check it out. In the mean time, you can listen to my favorite track in the set: number 22. Mastiksoul – Run For Cover (Dub Mix) which debuted in March of this year. I really like what happens after the first break. Let me know what you think of it in the comments below.


Technics is dead. Long Live Technics…

technics 1200 turntable

photo by Mr. Guep

Panasonic didn’t officially announce that they are discontinuing production of the Technics 1200 and 1210 Direct Drive Turntable, but if and when they do I think it has been a long time coming. Don’t get me wrong, I’ve owned turntables since 1996 and I remember bringing home my first pair of 1200s like it was yesterday.

I also remember not being able to find music easily and paying $10 to $12 for a single. I didn’t own much music back then, mind you, and became a digital convert when the back and forth started in the 2003 / 2004 timeframe. Remember the debate over whether or not a real dj spun cds? That was fun.

It’s cool to be nostalgic, but time marches on.

Why Digital Crushes Analog

The main selling point for me at the time was that it’s just more convenient to lug around 100 tracks on a thumb drive than it is to haul around a crate of 100 LPs. Not to mention the cost savings in paying ten times less for the same song…

I also really like the fact that I can add my own samples into an all digital setup. Scratching movie quotes or my own voice and sounds opens up an entirely different spectrum of creativity and personalization that was unknown to me in the late 90s.

And finally, digital music is a lot more accessible in real time, than records are/were. I don’t have to hunt for a record store, and spend hours searching through their stock to find music anymore. In fact, I’m track hunting as I write this, with streaming music on in the background.

The ultimate in time savings.

What Do You Think?

You’ve read what I have to say about the debate, now it’s your turn.  Were you devastated by the Panasonic news only to be relieved when you found out it was a misunderstanding? Did you even care? Hit up the comments and let us know where you stand.

Technics is dead. Long Live Technics…

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