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STS9 “AD Explorata” Album Review and US Tour!

STS9_ AD_ExplorataI have mentioned STS9 to the Resonant Vibes community many times and would like to do so once again. The band has constantly been pushing the boundaries of live music since they came on the scene back around 1999! This past fall they once again took their sound in a different direction with the release of the new album “AD Explorata” which merges many organic and acoustic elements with hard driving calculated and electronic segments. The result is an album that creates flowing moments of peaceful bliss sandwiched between periods of chaotic tension! It is a sonic explosion of unique sounds and textures, that take you on a giant wave through all types of moods.  In the past the band has made albums that stick to a certain motif, whether it was raw funkier song structures (Interplanetary Escape Vehicle) or intensely eerie electronic driven pieces (Artifact) there was always a common element to the albums. This album is very different from the band’s previous work. The music is extremely diverse and focuses on melting all the things that have made STS9 so unique into 12 well placed tracks!
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Simply put “AD Explorata” is a fantastic accomplishment and the result is an album that is just as suitable for a long scenic drive as it is for a house party. The music is so easy to grasp, yet still very fresh and exciting, to the point that it will keep your attention for many years to come. Do yourself a favor and pick this album up as soon as you can!
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STS9 is also currently on the last leg of a large US tour, with both Two Fresh and Ana Sia, who are part of STS9’s 1320 Records,  tearing it up as supporting acts for the band! They have pretty much covered every region in the country from West Coast and East Coast to the Mid-West and South! I had the pleasure of catching the band for their 3 night run in Denver, Colorado during NYE and I can not stress enough that this is a band you must experience live! On stage is where STS9 is truly at home and they have spent years perfecting their performances. It is a massive production with a phenomenal light show and it will leave you utterly speechless by what you just witnessed. Below is a complete list of the band’s remaining tour schedule. I highly suggest you purchase a ticket because the band is absolutely on fire right now!

Mar 10 2010 The Music Farm CHARLESTON, South Carolina
Mar 11 2010 Amos’ Southend CHARLOTTE, North Carolina
Mar 12 2010 The Norva NORFOLK, Virginia
Mar 13 2010 9:30 Club WASHINGTON, Washington DC
Mar 14 2010 9:30 Club WASHINGTON, Washington DC
Mar 17 2010 Mr Smalls Theatre PITTSBURGH, Pennsylvania
Mar 18 2010 Madison Theatre COVINGTON, Kentucky
Mar 19 2010 The Pageant ST. LOUIS, Missouri
Mar 20 2010 The Pageant ST. LOUIS, Missouri

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John “The Grizz” Grisanti


Exclusive Interview with Slacker

SlackerShem McCauley AKA Slacker has been a DJ and producer for many many years. His career can not be defined by one style of music as he has dabbled in tons of genres ranging from UK Hip-Hop to funky House and everything in between. He even started his own record label, JukeBox in the Sky with long time studio partner Simon Rogers. Together they have released some killer tracks over the past couple of years.  Slacker soon became fed up with the music industry and decided to move to Thailand where he has been for the past two years. He recently released his first new album since the move, entitled  “Start a New Life” which defines the long time electronic music veteran’s new ethos!
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Resonant Vibes had the pleasure of catching up with Slacker to talk about his new album, the move to Thailand, and a whole slew of other issues in the music industry. We hope you enjoy this exclusive interview with Slacker!
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Q: How did living in Thailand for the past two years impact you personally and your musical style?
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A: My life changed completely when I moved to Thailand. I know it’s a bit of a cliché, but everything became simpler and clearer, and I became more focussed. I don’t think my musical style changed as much as my ability to see the bigger picture, and so realise the completion of an album project I had spent years dreaming about.
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Q: I know you wrote, “Start a New Life” in a Bangkok shopping mall. Does that mean you actually produced the music there too? What programs did you use and how was your approach different then making music in a studio?
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A: Indeed, everything was done on my laptop/headphones in the foodcourt of a mall in Bangkok, right beside the yoga studio where I practiced and later taught. I have always worked with samples, almost exclusively; even bassline and keyboard sounds coming from samples/found sounds rather than synthesised sounds. So it wasn’t as if I was recording vocals or getting musicians in to jam with me in the mall! Nowadays music technology allows for almost everything to be done on a computer – if the musician is happy working that way. I found the lack of other external options a bonus rather than a drawback. I tend to become overwhelmed by wanting to try everything, so not having a load of synths or outboard gear totally suited me. I used LogicPro, on my Apple Mac 12” Powerbook.
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But the most important thing was having people milling around. I don’t like working alone, and though I wasn’t working with anyone else directly on the tracks, it made a real difference to feel surrounded, as opposed to isolated, while I worked. Luckily I didn’t have to do the final bit alone. I mixed the album down in a small studio here in Bangkok with a talented English producer named Simon “Monstamix” Henderson. It was actually one of the most enjoyable parts of the process.
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Q: The new record has a real Omanis vibe to it. In particular you use some incredibly haunting vocal samples. Where did you find those samples or how did you create them? Is there any specific message your trying to convey by using certain samples?
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A: I am attracted to certain sounds and atmospheres in samples which often take priority over the words themsleves. But when I find something with a rocking sonic quality where the words resonate with my thinking too, then it’s a dynamite combo. I used to spend a lot of time bored in the UK watching film and tv, and got a lot of the samples from obscure documentaries and strange films. No special message, but all the titles touch on a personal journey, as opposed to outside bigger picture stuff. I didn’t intend this when I started, but it just kind of came together that way.
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Q: Are you planning to stay in Bangkok and just produce music every once in awhile or are you back in the music industry to stay?
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A: For now the former, but I am open to the latter. But always in Thailand :)
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Q: What are the major issues in the music industry that you have experienced? How do you think the industry can legitimately change for the better?
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A: There’s so little earning power in music writing these days. You need to be able to churn out product at an alarming rate to make it pay even vaguely well, and I am not able to produce original material in such volumes on my own. Back in the day working with my old music partner Simon Rogers, who was a godly musician and a whizz at getting stuff done, things were easier. But after we parted ways, I had to change what I was doing. This album is the result.
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Looking to the future, it’s the now seemingly age-old cunnumdrum: how to get people to pay for music again. A whole generation currently expects to get what they want instantly and without fuss or cost: they don’t know anything else. I think things are improving slowly, but it’s a big question which I don’t have many answers to.
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Q: What do you think is the quintessential “Slacker” sound? Do you plan on sticking with your new style or are you just dabbling in a different genre?
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A: Organic, thoughtful sample-based music, a bit tongue in cheek, and a bit funky. I am enjoying this slower more downtempo genre for the time being, but I am sure I still have a few banging house tracks left in me.
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Q: You have operated your own record label “Jukebox in the Sky” for several years now. How has that experience been? How do you strike the balance between being a producer/DJ and a businessman?
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A: It was great fun at first, especially when I had enthusiastic people working with me, most notably Rosie Robinson who looked after every part of the label’s development and day to day running in the mid noughties. When the bottom fell out of the business and we had distributors and compilation companies going bust left right and centre, owing us thousands of pounds, it all became a bit more realistic. Pretty soon I realised I wasn’t that much bothered with being a businessman! Moving to Thailand confirmed this for me. I need to be out and about, listening, or writing (rather than selling) music to be happy.
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Q: What has been the most important moment in your music career thus far?
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A: Making the decision to come out here, and start my new life.
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John “The Grizz” Grisanti


EOTO Live at The Hideaway Saloon in Louisville, KY

Michael_Travis_EOTOI know I have talked about EOTO a bunch on the Resonant Vibes blog but I wanted to once again share my thoughts about Michael Travis and Jason Hann’s performance two nights ago at The Hideaway Saloon in Louisville, KY. First of all I may have never in my life seen a venue more packed beyond capacity then The Hideaway Saloon was the other night. The bar is pretty much, as the name indicates, hidden away in an alley right off Bardstown Road which is the hip party street in Louisville. It has a very small stage, which is only elevated about a foot off the floor, situated directly to your right when you enter the door. The inside is laid out like an old shotgun house with a long bar lining the right hand side of the club’s back half and a dance floor that is probably no bigger than a king bed right up front near the stage. It goes without saying it is a very intimate place to see any performer! Talking to Michael Travis before the show he indicated it was ridiculously silly they were playing a show at this bar! Don’t get me wrong, I love the Hideaway and it was evident that EOTO does too! The place is just way too small for them these days, and as I suspected people came out in numbers, jam packing themselves like sardines into the club. There was such an overflow that even the steps through the alley were shoulder to shoulder crowded with late-night concert goers. Yet no one really seemed to be all that uncomfortable and the energy was just insane!
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On EOTO’s website it indicated the show was to start at 10pm, but in true late night concert fashion the guys did not take the stage till about 11:30-12am. I should also mention there is absolutely no type of back-stage area, so in order to even get to the stage both Michael and Jason had to traverse the sea of people and literally climb over their equipment before getting situated. For about 1.5 hours the guys played a crazy hot set of sheer 100% improvised electro & dub-step oriented tunes that melted some serious face! They literally did not stop for the entire set with each song bleeding into the next like a great DJ mix. By the end of the first set the venue had already turned into a messy sweat box and it felt amazing to step outside in the brisk December cold. One thing that I love about EOTO is the genuine appreciation they have for their fans and their ability to interact with them. As usual Jason was just hanging out in the crowd, right around the stage and was talking to anyone who came up to him. He is one nicest people you will ever meet. I have said it before and I’ll say it again, EOTO is not looking for fame or fortune. They simply want to make Electronic Dance Music their own way and put on a great party!
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The New Deal’s NEW Record – “Live: Toronto 7.16.2009″


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The New Deal are one of the founding fathers of the “Livetronica” movement and are with out question one of the genres most influential groups. For nearly 10 years these three Canadians have continued to not only push their sound to new extreme heights but has also expanded the minds of crowds from all over the world on what can and is being accepted at legitimate electronic music! They rely on the old time tested jazz trio ensemble with Jamie Shields on keys, Dan Kurtz on bass and Darren Shearer on drums. Yet don’t be discouraged these guys don’t use turntables. From the moment this live-electro band hits the stage to the moment they play their last note, they bring such a non-stop intense energy performance that it leaves the crowd completely drained and speechless! Their sound is beyond grandiose, bursting in your ears like a massive stadium rave on PCP! The bands evolution and out of this world sound have never been more evident than on their newest record “Live: Toronto 7.16.2009″ which is set to be released on December 17th 2009.
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The new album does not waste a single second of time to get the party moving and literally never gives you a moment to breathe in between songs. The record starts off with an epic keyboard riff that simply lets you know your about to be smacked right in the face, then with a brief build up the whole band kicks in and the party begins! As I said, you truly won’t hear another pause until the record is over. The band is perfect at creating a larger than life motif and then dropping out all but one instrument, only to create another beautiful build up that culminates into a completely new idea with even more ferocity than it’s predecessor. There is really not much you can say after listening to this record besides “Damn”! After 700 shows and nine records, it is obvious The New Deal has really taken their sound and performance to a whole a new level that is just absolutely insane. The record only has six tracks, but with five of the tracks stretching past the 10 minute mark, it is more the enough sonic bliss to take you on a musical adventure. The album is one hour and six minutes of a pure high octane dance party, and after several listens in two days I can tell you it has already become one of my new favorite albums!
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I highly recommend that anyone who is a fan of finding new electronic music go buy this album on December 17th. It will be a record you will play for years to come! The New Deal are becoming increasingly rare to catch live, so as a band who incorporates a great deal of improvisation and energy into every show they play, I would make a big attempt to go see them on their winter tour of the US this January.
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John “The Grizz” Grisanti


Bear Creek Music Festival 2009 Recap

Bear_Creek_PosterThis past weekend a friend and me made the 12+ hour drive from Louisville, KY to Live Oak, FL for the 3rd annual Bear Creek Music Festival. The festival was held in the amazing Spirit of Suwanee Music Park, which is actually designed to host music events with several permanent stages including one of the most enchanting amphitheaters around! The festival is still very young and because of that it offered a very intimate atmosphere with what I heard to be only around 5 thousands people in attendance. We had an absolutely stunning time to say the least.
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We ended up leaving Louisville at about 3am on Thursday morning, after taking all night to get our camping supplies ready and packed in the car. We finally arrived in Live Oaks at about 4pm that same day and found a prime camping spot right next to a beautiful lake located in the heart of the party. Needless to say we did not end up sleeping much the entire weekend :) . The festival was being primarily pushed as a funk festival, but what become quite undeniable from the first night was that Electronic Dance Music continues to re-invent itself and expand it’s reach far beyond the traditional club circuit outlets. This was apparent through various “Livetronica” bands/artist like: Alex B, The Pnuma Trio, Break Science, Telepath, and Lotus who all played a substantial role in keeping the party peeps moving over the weekend. Also late at night many tents kept the energy moving by throwing private dance parties in various areas of the campgrounds!
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The first night we caught a good deal of the The Pnuma Trio PA set which included DJ Alex B spinning his glitchy hip-hop tracks while Lane Shaw threw down on drums. Alex B truly has a lot of love for his fans and kept the energy up all night to the point of refusing to get off stage even one second early! The performance was jam packed with people getting down on the dance floor, yet it was not until Friday night that the party really got going!
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The first performance that blew me away was RV’s friends Telepath. I had seen these guys before at the Brown Theatre but their performance at Bear Creek was on a whole new level. First and foremost they played in the Purple Hat Tent which quickly became my favorite stage of the festival. Lets just say the budget for that tent must have been outrageous because they had some of the sickest lights that I have ever seen with a sound system that rumbled your chest and rattled your brain! (more…)


Exclusive Interview with Andy Caldwell

Andy Caldwell | Resonant Vibes Electronic Music Blog
Andy Caldwell is not only a DJ and producer but is also a classically trained musician who runs his own record label called Uno Recordings. His astounding 15+ year career has taken him all around the world, playing packed gigs ranging from small clubs to giant raves. He has essentially dabbled in every style of house music that one can imagine, and still continues to push his sound in new directions. On his newest release, Obsession, Caldwell has once again re-defined his already sophisticated songwriting and production skills by exploring new realms of music.
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Resonant Vibes had the pleasure of catching up with Andy Caldwell to ask him a couple of questions. We hope you enjoy this exclusive interview.
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Q: You’ve produced various styles of house over the past fifteen years. Can you describe your current sound and tell me where you see that sound heading in the future?
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A: My current sound, hmm, that’s tough!  I suppose I would call it big room house with an electronic edge.  I’m still playing lots of vocals though, I don’t think I’ll ever fully get away with playing an instrumental set.
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Q: Can you describe the creative process you went through to produce your new album “Obsession”?
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A:  I spent about a year working on the record in total.  I had a few starts and stops the previous year and ended up starting from scratch on “Obsession.”  I just got in the studio with a couple of writers and singers and we knocked out the album.  I’d arrange the basic tracks and then collaborate with the vocalists.  It was a bit of a challenge as I wanted to finish the album and not have it drag on and on for years!  My last album took several years to finish:)
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Q: You’ve been running your own record label, Uno Recordings, for a couple of years now. Has that been a positive experience? How do you strike the right balance between being a DJ, producer, and entrepreneur/businessman?
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A:  It’s been a great learning experience.  I’m barely breaking even on it though but I’m allowed total creative freedom.  I’ve got a great distribution deal with Tommy Boy and they are really on top of everything.   It’s tough to balance out the label work with the creative however.  When I need to do remixes or get in the studio to write new material, I’ll put everything else on the back burner.
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Q: How have your formal musical training and education influenced your DJ-ing and production?
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A: Well, everything I do is based in a classical music framework so without that foundation it would be very difficult for me to create the melody and harmony.  Knowing scales and chord progressions make the composition process much easier.  There’s essentially no trial and error, unless of course you wanna experiment and go outside the box a little.
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Q: Vocals often play a central role in your productions. What is your approach to writing and recording good vocal lines? What are you usually trying to accomplish when you include them?
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A: Practice, Practice, Practice!  Song writing is kind of like poetic math, you have to work with words in a rhyme scheme while you create melody that contributes to the content and elevates it.  The trick, for me at least, is to be able to write when inspiration hits!  I’ve written plenty of songs that are very deliberate but my favorites are the ones I wrote in a fit of inspiration!  I wrote “Warrior” in 10 minutes for example!
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Q: What changes and shifts have you witnessed in the dance music scene over the past few years? What are the new trends?
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A: It’s an exciting time for the dance music genre, we’re finally getting some respect from the mainstream!  Unfortunately the good stuff is still for the most part, underground.  I’m hearing house and electro seep into everything from Lady Gaga to Little Jon and Shakira.  2010 will be the year that house music breaks back into the mainstream, it’s going to be good for everyone including those of us who don’t get any radio play.
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Q: Have you found any new pieces of equipment that you enjoy using in the studio or on the road?
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A: I’m still in love with Ableton Live.  I’ve gone back to using ProTools a bit though as it’s got some great new plug ins for version 8.  As for outboard equipment, I love my Disstressor with Brit Mode – wicked compressor!!
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John “The Grizz” Grisanti


Bear Creek Music Festival 2009


In about one week Live Oak, Florida will be hosting an absolutely spectacular dance music event called the Bear Creek Music Festival. With only three years under it’s belt and the fact this camping festival takes place in Mid-November which is way past prime season, one might consider the event to be quite a diamond in the rough when compared to other festivals. Yet don’t be fooled as this event has one of of the most unique and amazing line-ups I have seen in a while. Being primarily a Jazz Funk festival, the event will be catering to a wide range of dance music styles and artist.
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In particular there will be several “Livetronica” acts that Resonant Vibes has covered in the past including: Lotus, The Pnuma Trio (also playing a DJ PA set), Telepath, and Break Science! I will be going down to the festival , so keep an eye on the RV Blog for some great exclusive content featuring videos, a picture gallery and full review! Some other highlights include Lettuce (an all-star group featuring members of Soulive and The John Scofield Band), Toubabe Krewe (a west African influenced group), The New Mastersound, Galactic, Ivan Neville and Carl Denson.
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If anyone is looking to get out of the cold and boogie down to some fantastic dance music in all sorts of styles/forms, I highly recommend making your way to the Bear Creek Music Festival in Live Oak, Florida on November 13-15th!
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John “The Grizz” Grisanti


EOTO Live at Cosmic Charlie’s in Lexington, KY


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Every now and then you get a chance to see an artist doing something so amazing it’s hard to believe, and sometimes you get a chance to see that artist playing at a venue that is just too good to be true. Two nights ago I had the pleasure of seeing that artist in such a venue.

I have mentioned EOTO numerous times now to the Resonant Vibes community (including my original Livetronica blog post), but after the concert they played in Lexington Kentucky on Tuesday October 27th, I feel it would be quite an injustice not to describe my experience. Michael Travis and Jason Hann appear to have consciously avoided mainstream media, sophisticated marketing strategies, and intense promotions in favor of the old fashion “Word of Mouth” method. This choice seems to be working quite well for the former members of The String Cheese Incident. It has also lead them to play what some might consider to be less desirable venues, such as Cosmic Charlie’s, which is tucked away in a small strip mall along side 4 or 5 other retail outlets in the middle of nowhere. Yet this intimate atmosphere is exactly what the band wants and what they thrive on!

An EOTO show can pretty much be described as an intense tribal gathering where the goal is an attempt to connect with a higher consciousness. The music reduces every single person to their utmost primitive behavior in which their is only one thing to do and that is DANCE! There is no structure and no method, just human expression through movement. The music never stops with smoothly orchestrated transitions from one motif to another that mirror the precision of the worlds best DJs. With thick bass lines, monster drums beats, thunderous synth melodies and a whole slew of syncopated glitch sounds, it is damn near impossible not to get lost in the 100% improvised performance that EOTO puts on night after night.

It is obvious that Michael Travis and Jason Hann don’t care about fame or fortune. They simply want to play good music their way and embrace their fans as much as they have embraced EOTO. This was evident when after a solid 3 hours of playing both members jumped off the stage into the crowd and talked to everyone who came up to them. I will say they are some of the nicest musicians I have ever met! The highlight of the show for me was when a fan was holding a glass of bourbon up to Jason Hann, and while still playing drums, he took the glass, shot it back and continued on as if nothing happened.

Simply put EOTO creates live electronic music that can only be described as brilliant. Check out Resonant Vibes Exclusive Audio Interview with Michael Travis to learn more about the band and how they create this form of music! I highly suggest you check them out on tour in a town near you!

John “The Grizz” Grisanti


Exclusive Audio Interview with Alex B from The Pnuma Trio


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Resonant Vibes is very excited to give our readers an exclusive audio interview with Alex B, bass player and producer, for the band The Pnuma Trio. (Click the play button below to have a listen)

I first mentioned The Pnuma Trio to the Resonant Vibes community back in my original Livetronica blog post. The band formed in Memphis Tennessee around 2004 and moved to Boulder Colorado where they now are proud to call STS9’s super hot indie label, 1320 Records, home. The trio is comprised of Alex Botwin on Bass, Ben Hazelgrove on Keys, and Lane Shaw on Drums. They consider themselves to be an electronic band who uses live instrumentation to create forward thinking compositions with a high energy electro feel! Download a free live show of the band performing at Red Rocks Amphitheater in Colorado by going to The Pnuma Trio’s profile page in the Resonant Vibes Network .

Alex B is also a superb DJ, who is heavily involved with the Electronic Music Scene when he is not on the road with The Pnuma Trio. He has made quite a reputation on the live scene for his deep glitch-informed hip-hop sound and recently released a mix called “Brian Food” for Flying Lotus on the Brainfeeder record label which can be downloaded for free right HERE. Also check out several other mixes & tracks by going to Alex B’s profile page in the Resonant Vibes Network.

The Pnuma Trio is a powerful leader in the live electronic movement. They are doing everything they can to bring Electronic Music to the masses by merging the rock/jam culture with that of the DJ club scene. Check out both The Pnuma Trio and Alex B on tour right now!

John “The Grizz” Grisanti

 
icon for podpress  Interview with Alex B from The Pnuma Trio: Play Now | Play in Popup | Download
 

STS9 & Telepath Live at The Brown Theatre in Louisville, KY


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Last night may have been the best concert I have seen this year. Definitely in my top 5 of the year without question. As some one who has just returned home to Louisville, KY after 4 years out in Denver Colorado I can tell you that Sound Tribe Sector 9 (STS9) is the hottest band since Phish. I originally mentioned STS9 to the Resonant Vibes community back in my Livetronica blog post. This unfortunately was my first time ever seeing the band perform live and I now regret, more than one can imagine, not tagging along with my friends to catch these guys the numerous times they played Red Rocks Amphitheater or The Filmore while I was attending Denver University. This should mean a lot to anyone who knows me, as I have long been dubbed the non-believer, constantly preaching about how the band was just not that good and I could not understand the buzz. Well that all flew out the window last night at The Brown Theatre in Louisville, KY!

To begin I fully believe one must experience this band live in order to truly understand the magic of what they are creating. These guys are not a rock band, they are not a jam band, an electronic band, or a funk band. Simply put an STS9 concert is like an alien space ship blasting through the universe at the speed of light into another cosmic realm with a tripped out raging dance party going on inside. It is not a concert at all but more of a spiritual awakening. As my buddy Mitch said last night “Welcome to the tribe!”

Now I know I’m late to jump on bored the spaceship so I’ll try to keep my preaching to a minimum since this is not a new experience for many.

The show at The Brown Theatre started super slow with a very late blooming crowd. I got to the venue just in time to introduce myself to the opening act Telepath, who allowed me to observe their performance form side stage. These guys are absolutely stunning in the own right. As a member of STS9’s view own label 1320 Records, which is one of the hottest Independent labels around right now, I can tell you these guys bring the heat.

The trio is made up of Curt Heiny on Bass, Michael Christie on Keyboards and Mike B on Drums. In the short 45-60 min set they played, Telepath went through a journey of world/ethnic sounds saturated with thick beats that made you forget you were in a theatre and not dancing around a fire in a remote area of the Middle East or India. The essence of the performance was that laptops & sequencers were just as important as playing an instrument, and they combined the two elements with such sophistication that is came across like a top class non-stop DJ mix which moved seamlessly through Downtempo, Breakbeat and Dub! A real treat to hear and much bigger treat to see live. Check out Telepath now! Download a 30 minute promo mix by them right HERE. Also you can buy a lot of Telepath music in the Resonant Vibes Shop!

After Telepath’s set ended at about 9pm the crowd started forming very quickly. With a short 30 minute equipment change and a flickering of the house lights STS9 took the stage too a screaming, glow stick spinning crowd of probably about 800! I instantly lost my friends in the frenzy of getting to our seats, only to realize they were way up in the front dancing in the aisles along with everyone else. No one was paying attention to who’s seat was who’s. In that moment is was just a dance wherever you want kind of show and the vibes were positive like that through out the night! Since this was my first STS9 experience I am not sure about any of the songs names, but can tell you it did not matter. The magic was in the setlist as whole! The songs never stopped. Each one would flow right into the next without even the slightest moment to breathe. The band performed everything perfectly and the crowd was giving them so much love back that the energy never dropped.

One of my concerns going to see the band for the first time was that they had recently parted ways with their lighting designer Saxton, who has enough buzz in his own right. I will say that I was not let down in the least bit by their new guy. The light show for this concert was spectacular. One the most interesting aspect about the light show was the fact that the band remained in the darkness, as not to single out any one member but only accentuate the music as a whole. They also used a very sophisticated back lit LED type screen, which took up the entire stage behind the band and project patterns/images at the crowd. It truly created a visionary expression that was as mesmerizing to look at as the music was to hear.

Again, like Telepath, STS9 was using laptops and sequencers as integral part of their performance and it worked so beautifully. Their stage setup was also one of the most brilliant and extremely well thought out uses of space on stage I have experienced. For some reason it truly enhanced the spaceship motif to me. A friend and me quickly realized that at 10:30pm, after 1.5 hours of nonstop playing, that the band was not going to take a set break. With The Brown Theatre being located directly under the high class Brown Hotel, we came to the conclusion there must be a strict curfew and sure enough at 11pm the band left the stage only to return for probably a 30 minute encore. I later found out through a friend that the band has actually changed their fall performances to include just one large set with a big encore. The show ended with a very smooth soft piece which was the perfect night cap.

Once it was all said and done the energy was still pumping through everyone’s veins like a freight train, so we naturally dipped into a house party packed full of fellow concert goers, then after an intimate dance party back at a friends apartment I finally made my way into bed at 3am.

It was an amazing night with amazing friends. I am already thinking that it seems like a perfect idea to catch the band on their New Years run in Denver Colorado. If you have not heard STS9 or Telepath check them out now, and more importantly go see them live!

John “The Grizz” Grisanti