Posts Tagged ‘DJs’

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Bear Creek Music Festival 2009 Recap

Bear_Creek_PosterThis past weekend a friend and me made the 12+ hour drive from Louisville, KY to Live Oak, FL for the 3rd annual Bear Creek Music Festival. The festival was held in the amazing Spirit of Suwanee Music Park, which is actually designed to host music events with several permanent stages including one of the most enchanting amphitheaters around! The festival is still very young and because of that it offered a very intimate atmosphere with what I heard to be only around 5 thousands people in attendance. We had an absolutely stunning time to say the least.
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We ended up leaving Louisville at about 3am on Thursday morning, after taking all night to get our camping supplies ready and packed in the car. We finally arrived in Live Oaks at about 4pm that same day and found a prime camping spot right next to a beautiful lake located in the heart of the party. Needless to say we did not end up sleeping much the entire weekend :) . The festival was being primarily pushed as a funk festival, but what become quite undeniable from the first night was that Electronic Dance Music continues to re-invent itself and expand it’s reach far beyond the traditional club circuit outlets. This was apparent through various “Livetronica” bands/artist like: Alex B, The Pnuma Trio, Break Science, Telepath, and Lotus who all played a substantial role in keeping the party peeps moving over the weekend. Also late at night many tents kept the energy moving by throwing private dance parties in various areas of the campgrounds!
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The first night we caught a good deal of the The Pnuma Trio PA set which included DJ Alex B spinning his glitchy hip-hop tracks while Lane Shaw threw down on drums. Alex B truly has a lot of love for his fans and kept the energy up all night to the point of refusing to get off stage even one second early! The performance was jam packed with people getting down on the dance floor, yet it was not until Friday night that the party really got going!
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The first performance that blew me away was RV’s friends Telepath. I had seen these guys before at the Brown Theatre but their performance at Bear Creek was on a whole new level. First and foremost they played in the Purple Hat Tent which quickly became my favorite stage of the festival. Lets just say the budget for that tent must have been outrageous because they had some of the sickest lights that I have ever seen with a sound system that rumbled your chest and rattled your brain! (more…)


Exclusive Interview with Andy Caldwell

Andy Caldwell | Resonant Vibes Electronic Music Blog
Andy Caldwell is not only a DJ and producer but is also a classically trained musician who runs his own record label called Uno Recordings. His astounding 15+ year career has taken him all around the world, playing packed gigs ranging from small clubs to giant raves. He has essentially dabbled in every style of house music that one can imagine, and still continues to push his sound in new directions. On his newest release, Obsession, Caldwell has once again re-defined his already sophisticated songwriting and production skills by exploring new realms of music.
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Resonant Vibes had the pleasure of catching up with Andy Caldwell to ask him a couple of questions. We hope you enjoy this exclusive interview.
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Q: You’ve produced various styles of house over the past fifteen years. Can you describe your current sound and tell me where you see that sound heading in the future?
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A: My current sound, hmm, that’s tough!  I suppose I would call it big room house with an electronic edge.  I’m still playing lots of vocals though, I don’t think I’ll ever fully get away with playing an instrumental set.
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Q: Can you describe the creative process you went through to produce your new album “Obsession”?
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A:  I spent about a year working on the record in total.  I had a few starts and stops the previous year and ended up starting from scratch on “Obsession.”  I just got in the studio with a couple of writers and singers and we knocked out the album.  I’d arrange the basic tracks and then collaborate with the vocalists.  It was a bit of a challenge as I wanted to finish the album and not have it drag on and on for years!  My last album took several years to finish:)
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Q: You’ve been running your own record label, Uno Recordings, for a couple of years now. Has that been a positive experience? How do you strike the right balance between being a DJ, producer, and entrepreneur/businessman?
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A:  It’s been a great learning experience.  I’m barely breaking even on it though but I’m allowed total creative freedom.  I’ve got a great distribution deal with Tommy Boy and they are really on top of everything.   It’s tough to balance out the label work with the creative however.  When I need to do remixes or get in the studio to write new material, I’ll put everything else on the back burner.
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Q: How have your formal musical training and education influenced your DJ-ing and production?
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A: Well, everything I do is based in a classical music framework so without that foundation it would be very difficult for me to create the melody and harmony.  Knowing scales and chord progressions make the composition process much easier.  There’s essentially no trial and error, unless of course you wanna experiment and go outside the box a little.
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Q: Vocals often play a central role in your productions. What is your approach to writing and recording good vocal lines? What are you usually trying to accomplish when you include them?
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A: Practice, Practice, Practice!  Song writing is kind of like poetic math, you have to work with words in a rhyme scheme while you create melody that contributes to the content and elevates it.  The trick, for me at least, is to be able to write when inspiration hits!  I’ve written plenty of songs that are very deliberate but my favorites are the ones I wrote in a fit of inspiration!  I wrote “Warrior” in 10 minutes for example!
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Q: What changes and shifts have you witnessed in the dance music scene over the past few years? What are the new trends?
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A: It’s an exciting time for the dance music genre, we’re finally getting some respect from the mainstream!  Unfortunately the good stuff is still for the most part, underground.  I’m hearing house and electro seep into everything from Lady Gaga to Little Jon and Shakira.  2010 will be the year that house music breaks back into the mainstream, it’s going to be good for everyone including those of us who don’t get any radio play.
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Q: Have you found any new pieces of equipment that you enjoy using in the studio or on the road?
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A: I’m still in love with Ableton Live.  I’ve gone back to using ProTools a bit though as it’s got some great new plug ins for version 8.  As for outboard equipment, I love my Disstressor with Brit Mode – wicked compressor!!
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John “The Grizz” Grisanti


Bear Creek Music Festival 2009


In about one week Live Oak, Florida will be hosting an absolutely spectacular dance music event called the Bear Creek Music Festival. With only three years under it’s belt and the fact this camping festival takes place in Mid-November which is way past prime season, one might consider the event to be quite a diamond in the rough when compared to other festivals. Yet don’t be fooled as this event has one of of the most unique and amazing line-ups I have seen in a while. Being primarily a Jazz Funk festival, the event will be catering to a wide range of dance music styles and artist.
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In particular there will be several “Livetronica” acts that Resonant Vibes has covered in the past including: Lotus, The Pnuma Trio (also playing a DJ PA set), Telepath, and Break Science! I will be going down to the festival , so keep an eye on the RV Blog for some great exclusive content featuring videos, a picture gallery and full review! Some other highlights include Lettuce (an all-star group featuring members of Soulive and The John Scofield Band), Toubabe Krewe (a west African influenced group), The New Mastersound, Galactic, Ivan Neville and Carl Denson.
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If anyone is looking to get out of the cold and boogie down to some fantastic dance music in all sorts of styles/forms, I highly recommend making your way to the Bear Creek Music Festival in Live Oak, Florida on November 13-15th!
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John “The Grizz” Grisanti


EOTO Live at Cosmic Charlie’s in Lexington, KY


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Every now and then you get a chance to see an artist doing something so amazing it’s hard to believe, and sometimes you get a chance to see that artist playing at a venue that is just too good to be true. Two nights ago I had the pleasure of seeing that artist in such a venue.

I have mentioned EOTO numerous times now to the Resonant Vibes community (including my original Livetronica blog post), but after the concert they played in Lexington Kentucky on Tuesday October 27th, I feel it would be quite an injustice not to describe my experience. Michael Travis and Jason Hann appear to have consciously avoided mainstream media, sophisticated marketing strategies, and intense promotions in favor of the old fashion “Word of Mouth” method. This choice seems to be working quite well for the former members of The String Cheese Incident. It has also lead them to play what some might consider to be less desirable venues, such as Cosmic Charlie’s, which is tucked away in a small strip mall along side 4 or 5 other retail outlets in the middle of nowhere. Yet this intimate atmosphere is exactly what the band wants and what they thrive on!

An EOTO show can pretty much be described as an intense tribal gathering where the goal is an attempt to connect with a higher consciousness. The music reduces every single person to their utmost primitive behavior in which their is only one thing to do and that is DANCE! There is no structure and no method, just human expression through movement. The music never stops with smoothly orchestrated transitions from one motif to another that mirror the precision of the worlds best DJs. With thick bass lines, monster drums beats, thunderous synth melodies and a whole slew of syncopated glitch sounds, it is damn near impossible not to get lost in the 100% improvised performance that EOTO puts on night after night.

It is obvious that Michael Travis and Jason Hann don’t care about fame or fortune. They simply want to play good music their way and embrace their fans as much as they have embraced EOTO. This was evident when after a solid 3 hours of playing both members jumped off the stage into the crowd and talked to everyone who came up to them. I will say they are some of the nicest musicians I have ever met! The highlight of the show for me was when a fan was holding a glass of bourbon up to Jason Hann, and while still playing drums, he took the glass, shot it back and continued on as if nothing happened.

Simply put EOTO creates live electronic music that can only be described as brilliant. Check out Resonant Vibes Exclusive Audio Interview with Michael Travis to learn more about the band and how they create this form of music! I highly suggest you check them out on tour in a town near you!

John “The Grizz” Grisanti


Five Questions with AMBIVALENT (Minus/Detroit, USA)

Many people recognize Ambivalent (aka Kevin McHugh) as the upcoming artist featured on Richie Hawtin’s Minus imprint, and while that is true, there is the side I also remember from his days in New York when he hosted his “Micromini” nights at Filter 14, and was co-host with Camea on The Nerd Tank radio show on East Village Radio.  I know Kevin as a genuine purveyor and lover of techno, and before the craze of minimal, he was there from the early days.

I had a chance to speak with Kevin as he prepares to play in NY and LA Halloween weekend.  Now a Berlin transplant and in-demand artist globally, he still finds time to engage in a small chat.

Here are five questions I asked him. Enjoy.

Ambivalent

Deepak: It seems like you have been working with Richie for a long time.  when, where and how did you relationship develop and how has your relationship evolved now that your a Minus artist?
Ambivalent: I met Rich when I was doing a music festival for an arts organization called Creative Time. We did electronic music and art events under the Brooklyn Bridge. I kept asking Rich to do a show with us, and it never worked out. But we ended up talking about common interests and hung out whenever he was in NY. Eventually we started doing projects together. It wasn’t until a couple of years ago that he asked me to join the label as an artist. That was the beginning of a different phase of my life, but our friendship definitely influenced me tremendously.

Deepak: How has the move to berlin pushed your career along?  did you think twice about it, or was it an easy decision?   why do so many artists flock to Berlin?
Ambivalent: It definitely wasn’t an easy decision. I moved to NY in 1996, so it feels like home. I loved my life there, and would have loved to stay. But ultimately there was no way to make a living on my music and still pay a New York rent. Being in Berlin has made it possible to focus on my music rather than a day job. I also love European audiences and their dedication to this music culture. People recognize your work more clearly and appreciate it differently. There are great audiences in North America, also, but it seems that things take hold more slowly in the US.

Deepak: Do you have a favorite gig from this year you can tell us about?
Ambivalent: There are a few that stand out. I just played with a bunch of other Minus artists in a Contakt show at Brixton Academy in London. Piknik Electronik in Montreal was awesome. A great show at Cocoon club in Frankfurt and also the Monsters of House festival in Munich.
One of my favorite gigs was on a Sunday afternoon in an abandoned warehouse in Hamburg. The guys who do this party are so cool. They made this massive space feel so intimate just by propping these shipping containers around the space, and then they had people in furry animal costumes running around…it just felt like the kind of thing where there’s so much love put into a really underground event. That’s the stuff I keep hoping to see more of…

Deepak: Do you miss NY, and anything in particular about the city?
Ambivalent: My girlfriend still lives in Brooklyn, so I go back pretty often to see her and she comes to Europe pretty often as well. That tends to keep me from getting homesick. Of course there are friends who I miss, and certain things that I rush to when I get back. Namely good mexican food. One thing that you don’t get so often in other cities is the busy streetlife and people watching. I was in Paris this summer and a bus blew smog in my face, and it actually made me miss New York. That sounds so twisted, doesn’t it?

Deepak: What are a few differences and similarities of the scene in Berlin and NY?
Ambivalent: Well, the music scene in Berlin is different than it was a few years ago. I think it’s changed because so many people have heard the legends about certain clubs, etc. So now there seems to be a pressure for things to live up to. There are definitely nice things about being in a city with so many clubs and DJs that you can go out any night of the week and hear someone really good. The flip-side is that you don’t have the same excitement as you’d have in a so-called “smaller” scene. The NY parties I’ve been to since I left have really impressed me with their energy. I think it’s getting better all the time.

Join me in welcoming Ambivalent back to NY as he DJs our final Hidden Recordings Residency Night of 2009 and Halloween Eve Special on Friday October 30th!

STS9 & Telepath Live at The Brown Theatre in Louisville, KY


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Last night may have been the best concert I have seen this year. Definitely in my top 5 of the year without question. As some one who has just returned home to Louisville, KY after 4 years out in Denver Colorado I can tell you that Sound Tribe Sector 9 (STS9) is the hottest band since Phish. I originally mentioned STS9 to the Resonant Vibes community back in my Livetronica blog post. This unfortunately was my first time ever seeing the band perform live and I now regret, more than one can imagine, not tagging along with my friends to catch these guys the numerous times they played Red Rocks Amphitheater or The Filmore while I was attending Denver University. This should mean a lot to anyone who knows me, as I have long been dubbed the non-believer, constantly preaching about how the band was just not that good and I could not understand the buzz. Well that all flew out the window last night at The Brown Theatre in Louisville, KY!

To begin I fully believe one must experience this band live in order to truly understand the magic of what they are creating. These guys are not a rock band, they are not a jam band, an electronic band, or a funk band. Simply put an STS9 concert is like an alien space ship blasting through the universe at the speed of light into another cosmic realm with a tripped out raging dance party going on inside. It is not a concert at all but more of a spiritual awakening. As my buddy Mitch said last night “Welcome to the tribe!”

Now I know I’m late to jump on bored the spaceship so I’ll try to keep my preaching to a minimum since this is not a new experience for many.

The show at The Brown Theatre started super slow with a very late blooming crowd. I got to the venue just in time to introduce myself to the opening act Telepath, who allowed me to observe their performance form side stage. These guys are absolutely stunning in the own right. As a member of STS9’s view own label 1320 Records, which is one of the hottest Independent labels around right now, I can tell you these guys bring the heat.

The trio is made up of Curt Heiny on Bass, Michael Christie on Keyboards and Mike B on Drums. In the short 45-60 min set they played, Telepath went through a journey of world/ethnic sounds saturated with thick beats that made you forget you were in a theatre and not dancing around a fire in a remote area of the Middle East or India. The essence of the performance was that laptops & sequencers were just as important as playing an instrument, and they combined the two elements with such sophistication that is came across like a top class non-stop DJ mix which moved seamlessly through Downtempo, Breakbeat and Dub! A real treat to hear and much bigger treat to see live. Check out Telepath now! Download a 30 minute promo mix by them right HERE. Also you can buy a lot of Telepath music in the Resonant Vibes Shop!

After Telepath’s set ended at about 9pm the crowd started forming very quickly. With a short 30 minute equipment change and a flickering of the house lights STS9 took the stage too a screaming, glow stick spinning crowd of probably about 800! I instantly lost my friends in the frenzy of getting to our seats, only to realize they were way up in the front dancing in the aisles along with everyone else. No one was paying attention to who’s seat was who’s. In that moment is was just a dance wherever you want kind of show and the vibes were positive like that through out the night! Since this was my first STS9 experience I am not sure about any of the songs names, but can tell you it did not matter. The magic was in the setlist as whole! The songs never stopped. Each one would flow right into the next without even the slightest moment to breathe. The band performed everything perfectly and the crowd was giving them so much love back that the energy never dropped.

One of my concerns going to see the band for the first time was that they had recently parted ways with their lighting designer Saxton, who has enough buzz in his own right. I will say that I was not let down in the least bit by their new guy. The light show for this concert was spectacular. One the most interesting aspect about the light show was the fact that the band remained in the darkness, as not to single out any one member but only accentuate the music as a whole. They also used a very sophisticated back lit LED type screen, which took up the entire stage behind the band and project patterns/images at the crowd. It truly created a visionary expression that was as mesmerizing to look at as the music was to hear.

Again, like Telepath, STS9 was using laptops and sequencers as integral part of their performance and it worked so beautifully. Their stage setup was also one of the most brilliant and extremely well thought out uses of space on stage I have experienced. For some reason it truly enhanced the spaceship motif to me. A friend and me quickly realized that at 10:30pm, after 1.5 hours of nonstop playing, that the band was not going to take a set break. With The Brown Theatre being located directly under the high class Brown Hotel, we came to the conclusion there must be a strict curfew and sure enough at 11pm the band left the stage only to return for probably a 30 minute encore. I later found out through a friend that the band has actually changed their fall performances to include just one large set with a big encore. The show ended with a very smooth soft piece which was the perfect night cap.

Once it was all said and done the energy was still pumping through everyone’s veins like a freight train, so we naturally dipped into a house party packed full of fellow concert goers, then after an intimate dance party back at a friends apartment I finally made my way into bed at 3am.

It was an amazing night with amazing friends. I am already thinking that it seems like a perfect idea to catch the band on their New Years run in Denver Colorado. If you have not heard STS9 or Telepath check them out now, and more importantly go see them live!

John “The Grizz” Grisanti


Exclusive Audio Interview with Michael Travis from EOTO


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Resonant Vibes is super excited to give our readers an exclusive audio interview with Michael Travis, half of the incredible powerhouse duo EOTO. (Click the play button below to have a listen.)

EOTO was first mentioned to the Resonant Vibes community back in my “Livetronica” blog post. The band is comprised of two members from the highly acclaimed jam band String Cheese Incident (SCI), which took a hiatus back in 2007. Jason Hann is the drummer who handles most of the rhythmic elements of the music and Michael Travis takes care of all the melodic and tonal instrumentation as well as some percussion aspects. EOTO started when Jason Hann joined SCI back in 2005. As both Travis and Hann recall, they started jamming whenever they had breaks from SCI practice with no plans of creating another band. When they started experimenting with looping via Abelton Live, the EOTO concept was born. Some of the duo’s biggest influences are DJs and they strive to create pure electronic dance music with the motto- 100% improvised, nothing pre-recorded and nothing pre-planned! You will never see the band perform the exact same thing twice.

Since the SCI hiatus, EOTO has been performing relentlessly all year round, gaining a very strong fan base in the process. The guys just started a month long tour which runs all over the united states with out a single day break. I highly recommend you check them out if they come to your area. I had the pleasure of seeing them perform at the Summer Camp Music Festival and it was absolutely stunning!

Check out the EOTO profile page in the Resonant Vibes network to learn more about the band and to download a full live show. Resonant Vibes will have a lot more coverage and exclusive content from EOTO coming soon.

Enjoy this fantastic exclusive interview!

John “The Grizz” Grisanti

 
icon for podpress  Interview with Michael Travis from EOTO: Play Now | Play in Popup | Download

Exclusive Audio Interview with Jesse Miller from Lotus


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Resonant Vibes is very excited to give our readers an exclusive audio interview with Jesse Miller, the bass player in Lotus. (Click the play button below to check it out.)

I originally mentioned Lotus to the Resonant Vibes community in my “Livetronica” blog post. They are an incredible band that has been bridging the gap between the rock jam band culture and the electronic music scene for awhile now. I have had the pleasure of seeing them play in Denver, Colorado, as well as at the Summer Camp Music Festival, and they always bring the heat! They are about to embark on a two-month fall tour all over the United States. I highly recommend you check them out if they are in your neighborhood. To learn more about Lotus, check out their profile page in the RV Network!

Also, Lotus has given us an Exclusive Pre-Release of the track “Hammerstrike (Kypski Remix)” , from their new double album Oil on Glass / Feather on Wood, which hits stores on October 6th, 2009. Click HERE to download the exclusive new track for free!

I was able to catch up with Jesse Miller on the phone. We talked about a wide range of subjects like his experience at The Rothbury Music Festival, Richie Hawtin, other DJ influences, lighting design, and the new album.

Enjoy this delicious exclusive interview!

John “The Grizz” Grisanti

 
icon for podpress  Interview with Jesse Miller from Lotus: Play Now | Play in Popup | Download

Livetronica!


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Let me first briefly introduce myself. My name is John Grisanti or “The GRIZZ” as I am known around the office thanks to Eddie B’s love for nicknaming. I am the new “Intern” at Resonant Vibes. I could be considered a “jam band” fanatic by most people, as I see an average of 65 live shows a year and have been known to follow around a certain band named Umphrey’s McGee. I am, however, still a noob when it comes to Electronic Dance Music, but Sam and Eddie are trying to change that :) !

The reason I am writing a blog post today is to give the RV community a glimpse into the biggest trend in my scene (jam band) since its creation back in the 60’s. This trend is something I have been watching unfold over the past several years now, and it has all but taken over the jam band culture.

The trend/style has been dubbed “Livetronica”!

Arguably the fastest moving phenomena in the festival/jam circuit, “Livetronica” was by most fans’ accounts started by The Disco Biscuits around 1996. The idea is simple, take live instruments like bass, drums, guitar, and piano, and create electronic dance music. For the longest time bands in the jam scene were focused on having extended periods of two/three chord jams while trading off solos and singing goofy lyrics. Now a large part of the community is shifting to completely instrumental arrangements with no one member playing above any other, but instead the entire band plays almost to a mood or pulse. The trend has become so electronically oriented now that many of these bands, especially Sound Tribe Sector 9 (STS9), have become just as known for playing live instruments as they are for playing complete DJ/PA shows in which all the members relinquish their instruments for laptops and mixing decks.

Apart from the way the jam community dresses and smells :) , they seem to want the same thing the dance music community wants – a kick ass party with non stop grooving tunes to keep that body moving. There are some very key similarities to note about both scenes.

1. The songs usually flow into one another with out much or any pauses just like a good electronic mix.
2. The light show is often just as important and intense to the crowd as the music itself.
3. The show/party always starts late and never ends early (after party after party)

This movement should not be taken lightly or viewed as a FAD. Quite the contrary. Just one year ago STS9, one of the premier “livetronica” bands, headlined a two night run at the famous 9,000+ capacity Red Rocks Amphitheater in Colorado and then played there again this July with DJ Pretty Lights as the opening act! The show was preceded and followed by various raging parties and late night concerts all around Denver! The Disco Biscuits, at the same venue, put together a mini 2 day festival called Bisco Inferno in which Paul Oakenfold played along side “livetronica” bands – Lotus, The New Deal and fellow DJs Z-Trip & RJD2. On top of that, about a month ago, The Disco Biscuits held their 8th annual Camp Bisco in New York. The 3 day festival was the perfect marriage between the jam band and dance music scenes. Just a few of the artist including – STS9, Chromeo, EOTO, Pretty Lights, and Shpongle!

With all of this happening it is hard to deny that dance music is one the biggest trends in music today. It is not just a style that has evolved in its own right, but one that has deeply re-shaped other musical genres. Below is a list of some of the leaders in the “livetronica” movement. It should be noted that many of these artist don’t consider themselves to be Jam Bands but the fact is that this is the community which has embraced them and where they came from.

The Disco Biscuits
Sound Tribe Sector 9 (STS9)
Lotus
The New Deal
EOTO
Future Rock
Pnuma Trio
The Motet ( These guys are shifting into livetronica and Mr. Gracie actually enjoys them ;) )

If any of our readers will be in Louisville on October 14th, Sound Tribe Sector 9 (STS9)”>STS9 is playing the Brown Theatre. I highly recommend you check out this band as they have quickly become one of the most popular and influential bands in the “Livetronica” scene. I for one will be in attendance dancing my ass off 6th row center! It will be a show not to miss. As they say in my community these guys bring the “UNTZ”.

John “The Grizz” Grisanti


RV Heading to Detroit to Cover DEMF

I wanted to write a quick post to let people know that in a couple of weeks we’ll be taking a team of four people north to cover this years Detroit Electronic Music Festival or DEMF which is also known as Movement 2009.

It’s my first time to MotorCity, so I’m not sure what to expect personally. Detroit has been hit hard by the economic downturn, and stories of houses being sold for $1 paint a grim picture of what’s happening there. It’s clear that there’s not much prospect of things turning round in the near future so the people are having to hold on and try and ride it out. All in all it seems like what the city needs is a good party for a few days!

I’m pretty excited to get the chance to make the trip as the line-up for the festival is a smor-gås board of musical delights, with the likes of Anthony Rother (live), Kevin Saunderson, Innervisions Live, Derrick May, Loco Dice vs. Luciano, Wighnomy Brothers, and many, many others to choose from. The musical spectrum of the line-up is much more diverse than previous years with artists ranging from Bassnectar to Afrika Bambaataa, and Benny Benassi to Z-trip all sprinkled inbetween the otherwise techno-oriented roster.

What will rv be doing at Movement 2009?

Well, we’re planning to do as much as we can. The main goal for the trip is to get as much content posted to the blog daily. We want to try and bring the Detroit experience to as many people as possible with our posts. We’ll be there taking lots of video and photos, we’ll be tweeting and we’ll be facebooking. If there’s anything else we should be doing – let us know!

We’re planning to conduct video interviews with a slew of artists so naturally we’ll be uploading those daily. In addition we’ll be editing the footage from the previous day into a dairy style recap looking back at what happened that day. The videos will be accompanied by a photo gallery or two, alongside some writing from Eddie.

Our motivation is to go to Detroit to help bring it closer to the people that can’t go themselves. I know what it’s like when you can’t be part of something exciting like a music festival, and I know how hard it is to try and find good quality video and pictures to keep you informed of what’s going on while it’s happening. Hopefully you won’t have to spend time googling to find DEMF content, just check in with us and see what we can offer first. ;)

In the lead up to the event we’re working on landing some artist interviews to get your appitite going, so keep watching this space.

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