Archive for the ‘Recommendations and Reviews’ Category

Category Image

Review: Rootwire Music Festival

41430_38313280_9136_nThis past weekend I had the great pleasure of attending the first annual Rootwire Music and Arts Festival in Logan, OH. The festival, which was put on by the fine young champs in PAPADOSIO, was an absolute blast! I have been to festivals of all sorts and sizes and let me tell you this baby was extremely well organized! From the moment we arrived to the moment we departed there was not a single thing that did not run smoothly. The guys did not spare any expenses when it came to production either. When you think small music festival, you think small stage, limited light show, and minimal PA system. Rootwire could not have steered any further from those pitfalls. With a set up much like that of ALL GOOD music festival, Rootwires main stage and side stage were both situated side by side, allowing the music to be continuous with no overlapping sets and no down time in between acts. The main stage had a light rig and sound system that were stunning! No joke, everything about the main stage screamed major music festival in the making. It was done up big which made it really special to see these up and coming acts on such a large scale. The property was also pretty much damn near perfect. The camping was great, hiking, amazing main/side stage area with a natural bowl shaped hill, and the weather was so refreshing at night, but I failed to bring a coat which was a bad call :)
.
Now lets talk music :) , I can honestly say this line up already had my knees buckling before I even arrived, but I had a whole new appreciation for this truly diverse selection when I left. The festival boasted a spectacular line up of only up and coming acts through out the region. In particular there was a cool array of “livetronica” acts such as Zoogma, The Malah, EP3, and of course our friends in Papadosio! The nights were carried on by a variety of DJs in the late night tent which would keep the party going into the wee hours of the morning. On top of all the electronic tones there was a strong group of funk rock bands. My favorite acts with were unquestionably the more funk rock oriented acts such as STRANGE ARRANGEMENT, MACPODZ, and UV HIPPOS. While these acts were less on the “untz untz untz” side of things they still used their impressive jazz/funk chops to bring a absolute raging dance party that changed it up for a bit.
.
As always Papadosio brought the heat, but this time it was on a whole new level! This being their festival the guys really ramped up the DB on the sound system and pretty much shell shocked the crowd for 2 hours. I saw for the first time where this band will be in just a short few years, playing huge stages on a thunderous PA with an outer space light show! Make no mistake these guys are going to be the next big band that dominates the scene. They are growing so big and really doing it right.
.
The Macpodz took the crowd on a tripped out journey through a creepy cosmic atmosphere in a different galaxy! Pretty much an acid jazz odyssey, that was not only wacky but extremely funky! I have been a big fan of these guys for the past year, and they always crack me up with their stage presence, in particular the bassist Brennan Andes, who makes jokes, voices, and faces at the crowd for the entirety of the show. These guys put on a very interesting performance fueled by crazy instrumental skillz executed in their own way. Trust me if you like a lil bit of humor in your music and love dancing, then these guys will treat you well.
.
I had never seen or heard UV Hippos until Rootwire and it blew my mind. This band was just freaking awesome. They had great song writing, amazing musicianship, spectacular build ups, solos, pretty much the whole package. They also had the great opportunity of having Alex Herm (one of the best Light Designers around) run and design the lights during their performance! Needles to say they killed it and I would keep a close eye on these guys, because they put on a truly remarkable show :)
.
When all was said and done my hands down favorite performance of the weekend was Strange Arrangement! These guys have been on my radar since last summer and let me say they are getting better every time I get to see them. This weekend was no exception. The guys were armed with a group of new tunes and have started expanding a lot of their material live. With only about 2 years under their belt, I truly believe it is only a matter of time before these guys are playing sold out shows and travel with a massive production. They are incredible song writers, and absolutely insane musicians who create super sophisticated pieces of music with multiple layers / sections that revolve around some extremely catchy hooks. The band has such a diverse and refreshing sound that really works well in the scene. If it was not obvious by me singing every song during the bands performance, I am a huge fun of everything they are doing right now :) Do not pass these guys up when they come near your area!
.
What a weekend it was! The best of the best in unsigned / regional small acts, put on the large stage with a massive sound system and light rig as they all truly deserved. I hope this festival continues for many more years to come. Thank you to Papadoiso, and all the friends we met over the weekend.
.
John “The Grizz” Grisanti


Gallery: Bisco Inferno with The Disco Biscuits, Booka Shade and The Crystal Method

The second annual Bisco Inferno kicked-off at 5 pm on May 29th at Red Rocks, in Morrison, Colorado. The Disco Biscuits were joined by Booka Shade, Aeroplane, The Glitch Mob, The Crystal Method, and The Pnuma Trio in providing 10 hours of dance music catering to fans of the DJ and jam scenes alike. The night was truly incredible. It’s encouraging to see so many different people coming together just to have a good time in one of the coolest venues in the world. I hope to see you there next year.
.
Words and photography by Eli Becker
.


Essential Road Trip Listening: Chris Liebing’s 10 Years CLR

10 Years of CLR | Resonant Vibes Electronic Music BlogNext weekend we’re driving up to Detroit for Movement Festival. Each ways it’s 5 hours or about 3 mixes worth of driving. One of those mixes will be Chris Liebing’s latest offering on his CLR label. Hopefully it’ll help us get in the mood for his set at the festival which, like his label, also enjoys it’s 10th anniversary this year..
.
I’ve listened to the mix a couple of times and I can definitely recommend it; if it’s balls to the walls techno you’re after. Unrelenting techno—did you expect anything else?—is delivered on a plate by Liebing. Unfortunately I haven’t given it a full review but instead I’ve included a few words I was sent about it:
.
The 10th anniversary compilation of CLR contains 10 tracks by some of the finest artist in the world of techno and defines the current sound of the label. The very supportive attitude of the artists involved and the fact that all tracks were specifically and exclusively produced for this purpose, add a unique character to this project.
.
Musically, we dive into a universe of relentless, high tech beats and soundscapes. Big bass drops unveiling sexy grooves, hypnotizing patterns and reverb rooms that surround pounding beats with sudden high range attacks. These tracks work like crazy on the floor, and that‘s a proven fact. This is what Techno sounds like on a 2010 technology level, big room and tough but ballsy and slick, functional yet innovative: Let all hell break loose.From classic to new, that fits the list of people who contributed, that fits the formats the project is released on.
.
It includes classic techno protagonists from the last 10 years like Adam Beyer, Alex Bau, Speedy J, Chris Liebing vs. Green Velvet, Function vs. Jerome Sydenham and new faces no less talented, such as Dustin Zahn, Brian Sanhaji, Monoloc, Pfirter and of course Tommy Four Seven.
.


Monochronic – A Solid DJ in the RV Network

Monochronic

The RV Network has given me endless enjoyment since we launched it last year. One of my favorite job perks is randomly discovering good music on our site from DJs who are flying under the industry’s radar.

Back in March, a new mix in the RV Network caught my attention. It was uploaded by a DJ named Monochronic. The mix is titled, “Wide-eyed 001,” and I’ve really been enjoying it! As of now, it’s been downloaded 161 times and streamed 43 times, which means most folks haven’t even checked it out yet…just a nice little progressive gem resting in the RV Network treasure trove. I wanted to write this quick blog post to give Monochronic some props and to thank him for his contributions to our community.

I did a little research on Monochronic. His real name is Stoyan Dafov, and he was born in Plovdiv, Bulgaria. He started listening to electronic music during the 90s, and his influences were artists like Jay Dee, Faithless, Funky Green Dogs and Sven Vath. In the early part of this decade, Monochronic developed a strong interest in tribal and tech house, especially in the artists Dimas, Simon & Shaker, Eddie Richards, and Mastiksoul. Since 2005, his primary genres of interest have been deep and progressive house music.

While I just discovered Monochronic in the RV Network, he’s actually gotten some visibility on dance music radio stations like friskyradio.com, PureFM, Tribal Mixes Radio, and Eilo.org. Monochronic is playing gigs in various clubs in his hometown, and he’s holding a residency on PureFM with his own radio show, “Stereotype.”

Monochronic’s profile page in the RV Network is loaded with good music, and I’d suggest checking out some of his mixes. If you want to hear the “Wide-eyed 001” mix that caught my attention, just go here. For those interested, I’ve provided the tracklist for the mix below.

01 Antix – Manta
02 Lank – Twinge (Quivver Remix)
03 Shabu Vibes – Obscene Calls (Dyno Remix)
04 Shiloh – Landmine Hopscotch (Cid Inc Remix)
05 16 Bit Lolitas – Personal Space
06 Greed feat. Lesley – Gentle Rain (Soliquid Remix)
07 Jay Lumen – Surface Reborn feat Panoptic (Ormatie Remix)
08 Inkfish – Traser (Strings of 95 Mix)
09 Quivver – Sludge (Final Mix)
10 Innate – Parabolic Curve (Beat Factory Remix)
11 Eelke Kleijn – The Way That You Are (Davi Remix)

Eddie B


The Beat Cartel Presents: Pnuma Trio & Big Gigantic

Beat_Cartel
This post will not just be a review of the stellar show I witnessed this past Tuesday, April 6th at Headliners Music Hall in Louisville, KY but will also serve as a plug for an amazing new company that I consider to be one the best damn things to happen to the Louisville music scene in quite some time! The Beat Cartel is a fresh new promotion company created and managed by Matt Westbrook and Derrik Mulcahy. Their focus is to bring quality electronic music, in all it’s various forms, back to Louisville, KY! They truly are trying to create a party with each event they have booked and trust me they are not messing around. Most companies would take baby steps and build up to bigger events, not these guys. Their first concert brought two of the biggest Livetronica acts together for one glorious night of dance music! They are also not wasting any time to book more fantastic shows. This coming Saturday April 17th, which is Thunder Over Louisville, will have a late night extravaganza of phenomenal DJ’s including the super dirty Eliot Lipp! Louisville you must come out and support The Beat Cartel, don’t procrastinate! These guys are doing something that no one else has the balls or passion to do and without your support the parties they keep bringing to town will stop coming, so get out and boogie your ass down now!
.
The performance this past Tuesday in Louisville with The Pnuma Trio and Big Gigantic was nothing short of killer! The Pnuma Trio is a major staple on the jam scene and they create some of the best damn livetronica music around! For only being three guys their sound is massive and their performance is even bigger! I have said it before, Pnuma Trio have one of my favorite light shows for a touring act right now! Simply put for the club sized act they currently are, it is pretty hard to find any artist who can match the level of production these guys are putting on night after night! It is not just a concert but an over all sensory experience! The guys put on a non stop alien dance party for a solid two hours and then partied it up till the wee hours at the official Beat Cartel after party at my favorite Hideaway Saloon! If you still have not checked these guys out, you are really missing out. Also Alex B (Bass player) just released a new DJ album called “Moments” which became available the same day as the Headliners show. Check them and the new album out now!
.
Big Gigantic was also phenomenal! This electronic duo was supposed to be the side project for The Motet saxophone player, Dominic Lalli (who is pretty much the golden child to anyone from Colorado), when he formed the group about a year ago. That is not the case anymore. Big Gigantic is not only his main project, with The Motet taking a side bar, but it has become a huge power house dance machine touring act! Together with Jeremy Salken on drums, Dominic is creating some of the dirtiest beats around. Big Gigantic is just so much fun to see live. They bring one of the funkiest party atmospheres when they hit the stage and rip it up like they did here in Louisville. Seriously it is just so refreshing to watch a group that creates such a unique style and plays with as much genuine passion that these guys do. They also are the nicest guys around and truly love/appreciate their fans, so much so I would honestly consider them friends now. I absolutely love these guys and if you have not heard them, it will only be a matter of time before you get your ear drums pounded by their rowdy take on EDM! Check them out now, because they tour all over and it will be one of the best damn nights you could ask for.
.
It was a great night and was honestly a super special one for me to have the Colorado crew roll through my new neck of the woods. A real treat to see two of the sickest touring acts around on the same stage for one epic night of music! I truly want to give a big thank you to The Beat Cartel family. Louisville needs you!
.
John “The Grizz” Grisanti


Papadosio at The Hideaway Saloon in Louisville, KY

Papadosio image3
.
Walking into one of my favorite local bars on Saturday March 27th, I knew it was going to be a fun night as Lotus and STS9 were playing through the PA. It also seemed very fitting that in the same weekend that Miami would be hosting one of the largest Electronic Music festivals in the world, that Louisville, KY would be throwing its own private dance party with one of those bands, who’s name and reputation you will certainly be hearing a lot more of for a long time to come! It was my first time seeing Papadosio and it will be far from my last. In the past year I went from not even knowing who this band was, too hearing their name spoken every where and more importantly by everyone who’s musical opinions I truly respected. Let me say people the hype is very real, and honestly probably does not even do them enough justice! I truly believe these guys will be one of the next major Livetronica acts that sweeps the scene! The music has a darker rock sensibility mixed with a totally saturated and absolutely transcendent electronic twang. It engulfs you quickly, taking you on a ride through a barrage of completely unique and powerful motifs combined together to make some truly epic songs!
.
The show at the Hideaway Saloon was as packed as the EOTO show I saw this past October, but to be honest I expected it to be. Papadosio has grown so big this year that in Ohio they are playing The Newport Music Hall which hosts about 1,500+ and these guys are turning out 750+! This is not a small accomplishment and should indicate where this band is heading. I was very unfamiliar with the majority of the band’s material, but within the first 10 minutes, I knew I was in for one serious dance marathon. Once again the Hideaway Saloon acted like a giant sweat box, packing people in like sardines! The crowd became more like one organism moving together than it did individual people dancing. Everyone thought they were in for the long hall and sure enough the guys took full advantage of Louisville’s lax 4am curfew! This of course came by a little bit of encouragement from the crowd, including one fan who politely said “Put that damn bass back on, this shit ain’t over.”
.
Papadosio combines live instruments with computer processed and manipulated sounds so seamlessly. They are creating a textured sound scape as much as they are creating individuals songs. Their improv is also quite phenomenal and often hard to pick out, as they continuously seemed to push each song into new territories that flowed perfectly back and fourth between pre-arranged sections. With Mike Healy, who kept making hilarious facial expressions to the crowd while laying down some very fresh and funky beats on Drums and Rob McConnel, who was like wild beast dancing around while whaling on the bass, Papadosio had an absolutely nasty and engaging rhythm section. Add on top of that, the super sly guitar work and sample/loop manipulation of Anthony Thogmartin and the brilliant out of this world key/synth textures of Billy Brouse and you have a very powerful monster that can hold it’s own amongst much more established touring acts. Needless to say there was honestly never a dull moment in the two set show that Papadosio played in Louisville, KY.
.
I think it is safe to say there was a certain energy in the crowd, almost as if something was going around. The band fed off that intensity all night long, laying down one of the most powerful performances I have seen this year! Standing on the sidewalk after the show it was obvious that people were left utterly speechless by the performance and were still wound up with the urge to boggie down! Watch out for Papadosio, it is the best decision you can make any night of the week and if they come around your area do not hesitate because next time they play you can bet the crowd will double in size. For being such a young band, I must say these guys carry themselves like veterans in the industry. Check them out now!
.
SETLIST: 03/27/10 – The Hideaway Saloon, Louisville, KY
.
Utopiate
Method Of Control
Neutral
Improv
You + Yourself
All I Knew
I’m Not Alone (DEADMAU5 Remix) [Calvin Harris cover]
Improbability Blotter
Snorkle
By The Light of the Stars
The Unparalyzer
StickFigure
Magreenery
Night Colors
Giving You Up
[untitled new song]
Frequence
Improv
Apache [the incredible bongo band cover]
Polygons
The Eyes Have Eyes
.
John “The Grizz” Grisanti


STS9 and Ana Sia at the 9:30 Club in Washington DC


Photography by Eli Becker
.

Sunday, March 14th was an amazing night for dance music in DC!

The 9:30 Club is situated in an economically depressed, mostly African American, neighborhood just north of DC center, a stark contrast from where I was staying on Capital Hill. From the outside, the club looks like just another rundown warehouse, but step inside and it is a whole other world. Your eardrums will be treated to one of the finest sound systems in the country, with a bass that will rattle your rib cage.
.
Ana Sia opened up the show right: with a bang. This unassuming girl walked up to her Macbook and modestly/quietly introduced herself; then she released the auditory onslaught. Ana Sia perfectly encapsulates the dubbed up, womped out, trip hop, crunk-fest that has been coming out of the west coast for the past couple years. Fat baselines, sleazy sinth waves and perfectly placed/chosen samples add up to a dance party sure to make you wobble like it’s hot. The samples never overpowered the rest of the beats, which were masterfully interwoven, elevating the listener to land of the womp. This monome crushing mistress and her tracks are hot. She remained graceful and calm on stage while pumping out some of the nastiest beats I had heard in some time. And then, just as suddenly as she appeared onstage she was gone, leaving me wondering what I had just witnessed and when I could see a show where she was the main event. Watch this girl, because she is going places.
.
Now, full disclosure: this was not my first show STS9 show, far from it. I had even started to consider myself a bit jaded to their performances. Well, Sunday night was a rebirth for me; it felt like I was experiencing the STS9 vibe with fresh senses. If you have never seen STS9 before, then it is hard to imagine what their shows are like. It is more than the sum of their music and lights. It is an experience that is simultaneously: physical, emotional, visceral, and spiritual. They are not just playing music, they are painting an atmosphere that is constantly shifting and evolving.
.
The show began with Luma Daylight, a song that contains waves and crests that leave me breathless. It also exhibits the musical talent of David Phipps on the piano, and the drummer, Zach Velmer, who breaks into some phenomenal drum and base.
.
The band maintained that level of awe-inspiring intensity through two sets and a two-song encore, playing such notables as Frequencies (a funked out dance groove) and… And Some are Angels (a beautiful jazzy number). They have the ability to transition seamlessly: from funk, to space-trance, to ambient, to drum and base, to jazz, to hip hop, to a million other genres, all while never losing their connection to the crowd and to each other. This is a band where every individual member complements the other members; they combine their powers to become a nebulous whole of positivity.
.
The crowd was just as high energy; actively reciprocating every bit of oomph STS9 put into it. The dance party on the floor and in the balcony shook the house, as friendly fans embraced the boogie-down environment. The party even carried out onto the streets afterward as the fans erupted in spontaneous cheers of joy.
.
Driving by the Capitol building on the cab ride home, I couldn’t help but think, “Why can’t STS9 play a show in there”? Think about it: a late night set in the senate chamber might just be what our country needs. At least it would be funny to watch those old white guys dance.
.
Set One:
Luma Daylight
F. Word
Somesing
Frequencies 2
Frequencies 3
GLOgli
Oh Little Brain
Open E
Arigato
.
Set Two:
..And Some Are Angels
Nu Nu 4 U U
Move My Peeps
Abcees
Instantly
.
Encore:
New Song
Peoples
.
Words and photography by ELI BECKER. For more of ELI’s work and info please visit: elibeckerphotography.com
.
John “The Grizz” Grisanti


An Essential WMC Party Guide: 10 Parties in 5 Days

The Surfcomber Hotel | Resonant Vibes Electronic Music BlogUnless you live under a rock you’ll know that WMC is just around the corner. So, let’s say you arrive in Miami on Wednesday afternoon and leave on Monday. You’ve got five days to rage and you’re not worried about sleeping. Here’s my guide to 10 parties that will keep you going, and possibly even break you…
.
Wednesday: Ease into the groove with Danny Howells at Bed. The now legendary 7-hour marathon returns to one of the best clubs on the beach. Miss it at your peril.
.
Thursday Day: After a lunchtime breakfast mojito, meander over to the Surfcomber Hotel for a Victor Calderone and Sander Kleinenberg pool party. The Surfcomber has a phenomenal pool area so this party should be an excellent way to start day two and it’s guaranteed to feature plenty of Guicci bikinis and beefy dudes. Ahhh South Beach!
.
Thursday Night: Head to the Electric Pickle for the Blue Collar Entertainment Showcase. This West Coast agency boasts a who’s-who of techno and house talent, as does their party which includes Justin Martin, Konrad Black, Bruno Pronsato, Audiojack, Christian Martin, Jesse Rose, [a]pendics.shuffle, Nikola Baytala and Droog. Continued after the jump… (more…)


Review: Balance 016 Mixed by Agoria

Balance 016 Mixed by Agoria | Resonant Vibes Electronic Music BlogWhen a new Balance CD arrives on my desk I usually drop it straight into the player because of the quality I’ve come to expect from the people over at EQ Recordings. Last up was a hefty 3-disc affair from Will Saul and now we’ve been treated to a double-disc affair from French producer and DJ Agoria. As with all good compilations the first play didn’t leave me 100% convinced but after several more plays it’s grown on me immensely and it’s still in heavy rotation.
.
Disc one—Aller Retour—starts off in ambient, experimental territory before easing into the reverb heavy vocals of Emiliana Torrini which are backed up by an addictive guitar hook. A minute later and Agoria’s taken the vibe into the eery stripped back techno world of Arandel with a superb transition between the two tracks. That for me sums up the style of both discs with Agoria’s ability to stitch contrasting tunes together in a masterful and effortless fashion. The mix continues to a climatic yet esoteric high point with the operatics of Altre Voci and The Field’s proggy live mix of Over The Ice. Easing off the mid-disc peak he meanders back into a groovy nu-disco/garage finish with Todd Terje, Prins Tomas and Trus’me all taking their place in the line-up.
.
Balance 016 Disc Aller Retour “Soundcloud Edit” by AGORIA
.
I’m a big fan of disc one except I feel like Agoria has self indulged a tad much by including his Altre Voci tune in the middle of the mix. OK, so it’s created a peak to the disc but the operatic vocals are bang out of place alongside the other vocals on the disc, and if you consider how he’s got to this point it’s just not necessary.
.
Disc two—Rising Sine—is the standard 4/4 disc of the compilation. Again, I’m not going into much detail but I will say that I’ve played this disc a good deal more than it’s counterpart. Why? Because it stands out. It has more of a narrative—if you can use that term with electronic music—and with Agoria’s expert programming it just feels more complete. Quite honestly I prefer the tracks on it and I’m a big fan of tracks like the addictive You and Me remix of Ogris Debris’ G-Thong. The final 8 tracks from Einmusik’s melodic bomb Atlantis through the magnificent Serge Santiago remix of Shit Robot’s Simple Things (Work it Out) into Martyn’s interpretation of Efdemin’s Acid Bells continue to impress me each time I listen to it. Just awesome.
.
Balance 016 Disc Rising Sine “Soundcloud Edit” by AGORIA
.
However, like on disc one I was disappointed by Agoria’s decision to go in for more mid-disc dramatics with the unnecessary cello solo which features in the mash up of Jonny Greenwood’s Tehellet and Agoria’s Parasite which, to boot, is sandwiched by Avril’s peak-time monster French Kiss. Don’t get me wrong, I think he’s trying to do something a bit ‘avant garde’ and ‘edgy’ here, but it disrupts the otherwise perfect flow of the disc so I could do without it all together.
.
Anyway that shouldn’t stand in the way of you checking out Agoria’s Balance because it’s really worth it. His use of vocals to anchor both discs works really well and it’s clear that he’s taken a fresh and compelling approach to producing it. More importantly it features 14 exclusives and it’s a great way to experience a fine selection of tunes that have been blended together by someone who I’m sure will become a big name.
.
It’s US release date is March 16 but for some reason Amazon has it available from March 23. You can pre-order it HERE. If you’re in Miami for WMC you should check out the Balance 016 Release Party with Agoria, Will Saul, Joris Voorn, Desyn Masiello, Chris Fortier and Luke Fair at the Victor Hotel on Friday March 26. The track lists for both discs are after the jump. (more…)


STS9 “AD Explorata” Album Review and US Tour!

STS9_ AD_ExplorataI have mentioned STS9 to the Resonant Vibes community many times and would like to do so once again. The band has constantly been pushing the boundaries of live music since they came on the scene back around 1999! This past fall they once again took their sound in a different direction with the release of the new album “AD Explorata” which merges many organic and acoustic elements with hard driving calculated and electronic segments. The result is an album that creates flowing moments of peaceful bliss sandwiched between periods of chaotic tension! It is a sonic explosion of unique sounds and textures, that take you on a giant wave through all types of moods.  In the past the band has made albums that stick to a certain motif, whether it was raw funkier song structures (Interplanetary Escape Vehicle) or intensely eerie electronic driven pieces (Artifact) there was always a common element to the albums. This album is very different from the band’s previous work. The music is extremely diverse and focuses on melting all the things that have made STS9 so unique into 12 well placed tracks!
.
Simply put “AD Explorata” is a fantastic accomplishment and the result is an album that is just as suitable for a long scenic drive as it is for a house party. The music is so easy to grasp, yet still very fresh and exciting, to the point that it will keep your attention for many years to come. Do yourself a favor and pick this album up as soon as you can!
.
STS9 is also currently on the last leg of a large US tour, with both Two Fresh and Ana Sia, who are part of STS9‘s 1320 Records,  tearing it up as supporting acts for the band! They have pretty much covered every region in the country from West Coast and East Coast to the Mid-West and South! I had the pleasure of catching the band for their 3 night run in Denver, Colorado during NYE and I can not stress enough that this is a band you must experience live! On stage is where STS9 is truly at home and they have spent years perfecting their performances. It is a massive production with a phenomenal light show and it will leave you utterly speechless by what you just witnessed. Below is a complete list of the band’s remaining tour schedule. I highly suggest you purchase a ticket because the band is absolutely on fire right now!

Mar 10 2010 The Music Farm CHARLESTON, South Carolina
Mar 11 2010 Amos’ Southend CHARLOTTE, North Carolina
Mar 12 2010 The Norva NORFOLK, Virginia
Mar 13 2010 9:30 Club WASHINGTON, Washington DC
Mar 14 2010 9:30 Club WASHINGTON, Washington DC
Mar 17 2010 Mr Smalls Theatre PITTSBURGH, Pennsylvania
Mar 18 2010 Madison Theatre COVINGTON, Kentucky
Mar 19 2010 The Pageant ST. LOUIS, Missouri
Mar 20 2010 The Pageant ST. LOUIS, Missouri

.
John “The Grizz” Grisanti