Posts Tagged ‘STS9’

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Papadosio at The Hideaway Saloon in Louisville, KY

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Walking into one of my favorite local bars on Saturday March 27th, I knew it was going to be a fun night as Lotus and STS9 were playing through the PA. It also seemed very fitting that in the same weekend that Miami would be hosting one of the largest Electronic Music festivals in the world, that Louisville, KY would be throwing its own private dance party with one of those bands, who’s name and reputation you will certainly be hearing a lot more of for a long time to come! It was my first time seeing Papadosio and it will be far from my last. In the past year I went from not even knowing who this band was, too hearing their name spoken every where and more importantly by everyone who’s musical opinions I truly respected. Let me say people the hype is very real, and honestly probably does not even do them enough justice! I truly believe these guys will be one of the next major Livetronica acts that sweeps the scene! The music has a darker rock sensibility mixed with a totally saturated and absolutely transcendent electronic twang. It engulfs you quickly, taking you on a ride through a barrage of completely unique and powerful motifs combined together to make some truly epic songs!
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The show at the Hideaway Saloon was as packed as the EOTO show I saw this past October, but to be honest I expected it to be. Papadosio has grown so big this year that in Ohio they are playing The Newport Music Hall which hosts about 1,500+ and these guys are turning out 750+! This is not a small accomplishment and should indicate where this band is heading. I was very unfamiliar with the majority of the band’s material, but within the first 10 minutes, I knew I was in for one serious dance marathon. Once again the Hideaway Saloon acted like a giant sweat box, packing people in like sardines! The crowd became more like one organism moving together than it did individual people dancing. Everyone thought they were in for the long hall and sure enough the guys took full advantage of Louisville’s lax 4am curfew! This of course came by a little bit of encouragement from the crowd, including one fan who politely said “Put that damn bass back on, this shit ain’t over.”
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Papadosio combines live instruments with computer processed and manipulated sounds so seamlessly. They are creating a textured sound scape as much as they are creating individuals songs. Their improv is also quite phenomenal and often hard to pick out, as they continuously seemed to push each song into new territories that flowed perfectly back and fourth between pre-arranged sections. With Mike Healy, who kept making hilarious facial expressions to the crowd while laying down some very fresh and funky beats on Drums and Rob McConnel, who was like wild beast dancing around while whaling on the bass, Papadosio had an absolutely nasty and engaging rhythm section. Add on top of that, the super sly guitar work and sample/loop manipulation of Anthony Thogmartin and the brilliant out of this world key/synth textures of Billy Brouse and you have a very powerful monster that can hold it’s own amongst much more established touring acts. Needless to say there was honestly never a dull moment in the two set show that Papadosio played in Louisville, KY.
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I think it is safe to say there was a certain energy in the crowd, almost as if something was going around. The band fed off that intensity all night long, laying down one of the most powerful performances I have seen this year! Standing on the sidewalk after the show it was obvious that people were left utterly speechless by the performance and were still wound up with the urge to boggie down! Watch out for Papadosio, it is the best decision you can make any night of the week and if they come around your area do not hesitate because next time they play you can bet the crowd will double in size. For being such a young band, I must say these guys carry themselves like veterans in the industry. Check them out now!
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SETLIST: 03/27/10 – The Hideaway Saloon, Louisville, KY
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Utopiate
Method Of Control
Neutral
Improv
You + Yourself
All I Knew
I’m Not Alone (DEADMAU5 Remix) [Calvin Harris cover]
Improbability Blotter
Snorkle
By The Light of the Stars
The Unparalyzer
StickFigure
Magreenery
Night Colors
Giving You Up
[untitled new song]
Frequence
Improv
Apache [the incredible bongo band cover]
Polygons
The Eyes Have Eyes
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John “The Grizz” Grisanti


STS9 and Ana Sia at the 9:30 Club in Washington DC


Photography by Eli Becker
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Sunday, March 14th was an amazing night for dance music in DC!

The 9:30 Club is situated in an economically depressed, mostly African American, neighborhood just north of DC center, a stark contrast from where I was staying on Capital Hill. From the outside, the club looks like just another rundown warehouse, but step inside and it is a whole other world. Your eardrums will be treated to one of the finest sound systems in the country, with a bass that will rattle your rib cage.
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Ana Sia opened up the show right: with a bang. This unassuming girl walked up to her Macbook and modestly/quietly introduced herself; then she released the auditory onslaught. Ana Sia perfectly encapsulates the dubbed up, womped out, trip hop, crunk-fest that has been coming out of the west coast for the past couple years. Fat baselines, sleazy sinth waves and perfectly placed/chosen samples add up to a dance party sure to make you wobble like it’s hot. The samples never overpowered the rest of the beats, which were masterfully interwoven, elevating the listener to land of the womp. This monome crushing mistress and her tracks are hot. She remained graceful and calm on stage while pumping out some of the nastiest beats I had heard in some time. And then, just as suddenly as she appeared onstage she was gone, leaving me wondering what I had just witnessed and when I could see a show where she was the main event. Watch this girl, because she is going places.
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Now, full disclosure: this was not my first show STS9 show, far from it. I had even started to consider myself a bit jaded to their performances. Well, Sunday night was a rebirth for me; it felt like I was experiencing the STS9 vibe with fresh senses. If you have never seen STS9 before, then it is hard to imagine what their shows are like. It is more than the sum of their music and lights. It is an experience that is simultaneously: physical, emotional, visceral, and spiritual. They are not just playing music, they are painting an atmosphere that is constantly shifting and evolving.
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The show began with Luma Daylight, a song that contains waves and crests that leave me breathless. It also exhibits the musical talent of David Phipps on the piano, and the drummer, Zach Velmer, who breaks into some phenomenal drum and base.
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The band maintained that level of awe-inspiring intensity through two sets and a two-song encore, playing such notables as Frequencies (a funked out dance groove) and… And Some are Angels (a beautiful jazzy number). They have the ability to transition seamlessly: from funk, to space-trance, to ambient, to drum and base, to jazz, to hip hop, to a million other genres, all while never losing their connection to the crowd and to each other. This is a band where every individual member complements the other members; they combine their powers to become a nebulous whole of positivity.
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The crowd was just as high energy; actively reciprocating every bit of oomph STS9 put into it. The dance party on the floor and in the balcony shook the house, as friendly fans embraced the boogie-down environment. The party even carried out onto the streets afterward as the fans erupted in spontaneous cheers of joy.
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Driving by the Capitol building on the cab ride home, I couldn’t help but think, “Why can’t STS9 play a show in there”? Think about it: a late night set in the senate chamber might just be what our country needs. At least it would be funny to watch those old white guys dance.
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Set One:
Luma Daylight
F. Word
Somesing
Frequencies 2
Frequencies 3
GLOgli
Oh Little Brain
Open E
Arigato
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Set Two:
..And Some Are Angels
Nu Nu 4 U U
Move My Peeps
Abcees
Instantly
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Encore:
New Song
Peoples
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Words and photography by ELI BECKER. For more of ELI’s work and info please visit: elibeckerphotography.com
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John “The Grizz” Grisanti


STS9 “AD Explorata” Album Review and US Tour!

STS9_ AD_ExplorataI have mentioned STS9 to the Resonant Vibes community many times and would like to do so once again. The band has constantly been pushing the boundaries of live music since they came on the scene back around 1999! This past fall they once again took their sound in a different direction with the release of the new album “AD Explorata” which merges many organic and acoustic elements with hard driving calculated and electronic segments. The result is an album that creates flowing moments of peaceful bliss sandwiched between periods of chaotic tension! It is a sonic explosion of unique sounds and textures, that take you on a giant wave through all types of moods.  In the past the band has made albums that stick to a certain motif, whether it was raw funkier song structures (Interplanetary Escape Vehicle) or intensely eerie electronic driven pieces (Artifact) there was always a common element to the albums. This album is very different from the band’s previous work. The music is extremely diverse and focuses on melting all the things that have made STS9 so unique into 12 well placed tracks!
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Simply put “AD Explorata” is a fantastic accomplishment and the result is an album that is just as suitable for a long scenic drive as it is for a house party. The music is so easy to grasp, yet still very fresh and exciting, to the point that it will keep your attention for many years to come. Do yourself a favor and pick this album up as soon as you can!
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STS9 is also currently on the last leg of a large US tour, with both Two Fresh and Ana Sia, who are part of STS9‘s 1320 Records,  tearing it up as supporting acts for the band! They have pretty much covered every region in the country from West Coast and East Coast to the Mid-West and South! I had the pleasure of catching the band for their 3 night run in Denver, Colorado during NYE and I can not stress enough that this is a band you must experience live! On stage is where STS9 is truly at home and they have spent years perfecting their performances. It is a massive production with a phenomenal light show and it will leave you utterly speechless by what you just witnessed. Below is a complete list of the band’s remaining tour schedule. I highly suggest you purchase a ticket because the band is absolutely on fire right now!

Mar 10 2010 The Music Farm CHARLESTON, South Carolina
Mar 11 2010 Amos’ Southend CHARLOTTE, North Carolina
Mar 12 2010 The Norva NORFOLK, Virginia
Mar 13 2010 9:30 Club WASHINGTON, Washington DC
Mar 14 2010 9:30 Club WASHINGTON, Washington DC
Mar 17 2010 Mr Smalls Theatre PITTSBURGH, Pennsylvania
Mar 18 2010 Madison Theatre COVINGTON, Kentucky
Mar 19 2010 The Pageant ST. LOUIS, Missouri
Mar 20 2010 The Pageant ST. LOUIS, Missouri

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John “The Grizz” Grisanti


STS9 & Telepath Live at The Brown Theatre in Louisville, KY


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Last night may have been the best concert I have seen this year. Definitely in my top 5 of the year without question. As some one who has just returned home to Louisville, KY after 4 years out in Denver Colorado I can tell you that Sound Tribe Sector 9 (STS9) is the hottest band since Phish. I originally mentioned STS9 to the Resonant Vibes community back in my Livetronica blog post. This unfortunately was my first time ever seeing the band perform live and I now regret, more than one can imagine, not tagging along with my friends to catch these guys the numerous times they played Red Rocks Amphitheater or The Filmore while I was attending Denver University. This should mean a lot to anyone who knows me, as I have long been dubbed the non-believer, constantly preaching about how the band was just not that good and I could not understand the buzz. Well that all flew out the window last night at The Brown Theatre in Louisville, KY!

To begin I fully believe one must experience this band live in order to truly understand the magic of what they are creating. These guys are not a rock band, they are not a jam band, an electronic band, or a funk band. Simply put an STS9 concert is like an alien space ship blasting through the universe at the speed of light into another cosmic realm with a tripped out raging dance party going on inside. It is not a concert at all but more of a spiritual awakening. As my buddy Mitch said last night “Welcome to the tribe!”

Now I know I’m late to jump on bored the spaceship so I’ll try to keep my preaching to a minimum since this is not a new experience for many.

The show at The Brown Theatre started super slow with a very late blooming crowd. I got to the venue just in time to introduce myself to the opening act Telepath, who allowed me to observe their performance form side stage. These guys are absolutely stunning in the own right. As a member of STS9‘s view own label 1320 Records, which is one of the hottest Independent labels around right now, I can tell you these guys bring the heat.

The trio is made up of Curt Heiny on Bass, Michael Christie on Keyboards and Mike B on Drums. In the short 45-60 min set they played, Telepath went through a journey of world/ethnic sounds saturated with thick beats that made you forget you were in a theatre and not dancing around a fire in a remote area of the Middle East or India. The essence of the performance was that laptops & sequencers were just as important as playing an instrument, and they combined the two elements with such sophistication that is came across like a top class non-stop DJ mix which moved seamlessly through Downtempo, Breakbeat and Dub! A real treat to hear and much bigger treat to see live. Check out Telepath now! Download a 30 minute promo mix by them right HERE. Also you can buy a lot of Telepath music in the Resonant Vibes Shop!

After Telepath‘s set ended at about 9pm the crowd started forming very quickly. With a short 30 minute equipment change and a flickering of the house lights STS9 took the stage too a screaming, glow stick spinning crowd of probably about 800! I instantly lost my friends in the frenzy of getting to our seats, only to realize they were way up in the front dancing in the aisles along with everyone else. No one was paying attention to who’s seat was who’s. In that moment is was just a dance wherever you want kind of show and the vibes were positive like that through out the night! Since this was my first STS9 experience I am not sure about any of the songs names, but can tell you it did not matter. The magic was in the setlist as whole! The songs never stopped. Each one would flow right into the next without even the slightest moment to breathe. The band performed everything perfectly and the crowd was giving them so much love back that the energy never dropped.

One of my concerns going to see the band for the first time was that they had recently parted ways with their lighting designer Saxton, who has enough buzz in his own right. I will say that I was not let down in the least bit by their new guy. The light show for this concert was spectacular. One the most interesting aspect about the light show was the fact that the band remained in the darkness, as not to single out any one member but only accentuate the music as a whole. They also used a very sophisticated back lit LED type screen, which took up the entire stage behind the band and project patterns/images at the crowd. It truly created a visionary expression that was as mesmerizing to look at as the music was to hear.

Again, like Telepath, STS9 was using laptops and sequencers as integral part of their performance and it worked so beautifully. Their stage setup was also one of the most brilliant and extremely well thought out uses of space on stage I have experienced. For some reason it truly enhanced the spaceship motif to me. A friend and me quickly realized that at 10:30pm, after 1.5 hours of nonstop playing, that the band was not going to take a set break. With The Brown Theatre being located directly under the high class Brown Hotel, we came to the conclusion there must be a strict curfew and sure enough at 11pm the band left the stage only to return for probably a 30 minute encore. I later found out through a friend that the band has actually changed their fall performances to include just one large set with a big encore. The show ended with a very smooth soft piece which was the perfect night cap.

Once it was all said and done the energy was still pumping through everyone’s veins like a freight train, so we naturally dipped into a house party packed full of fellow concert goers, then after an intimate dance party back at a friends apartment I finally made my way into bed at 3am.

It was an amazing night with amazing friends. I am already thinking that it seems like a perfect idea to catch the band on their New Years run in Denver Colorado. If you have not heard STS9 or Telepath check them out now, and more importantly go see them live!

John “The Grizz” Grisanti


Livetronica!


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Let me first briefly introduce myself. My name is John Grisanti or “The GRIZZ” as I am known around the office thanks to Eddie B‘s love for nicknaming. I am the new “Intern” at Resonant Vibes. I could be considered a “jam band” fanatic by most people, as I see an average of 65 live shows a year and have been known to follow around a certain band named Umphrey’s McGee. I am, however, still a noob when it comes to Electronic Dance Music, but Sam and Eddie are trying to change that :) !

The reason I am writing a blog post today is to give the RV community a glimpse into the biggest trend in my scene (jam band) since its creation back in the 60′s. This trend is something I have been watching unfold over the past several years now, and it has all but taken over the jam band culture.

The trend/style has been dubbed “Livetronica”!

Arguably the fastest moving phenomena in the festival/jam circuit, “Livetronica” was by most fans’ accounts started by The Disco Biscuits around 1996. The idea is simple, take live instruments like bass, drums, guitar, and piano, and create electronic dance music. For the longest time bands in the jam scene were focused on having extended periods of two/three chord jams while trading off solos and singing goofy lyrics. Now a large part of the community is shifting to completely instrumental arrangements with no one member playing above any other, but instead the entire band plays almost to a mood or pulse. The trend has become so electronically oriented now that many of these bands, especially Sound Tribe Sector 9 (STS9), have become just as known for playing live instruments as they are for playing complete DJ/PA shows in which all the members relinquish their instruments for laptops and mixing decks.

Apart from the way the jam community dresses and smells :) , they seem to want the same thing the dance music community wants – a kick ass party with non stop grooving tunes to keep that body moving. There are some very key similarities to note about both scenes.

1. The songs usually flow into one another with out much or any pauses just like a good electronic mix.
2. The light show is often just as important and intense to the crowd as the music itself.
3. The show/party always starts late and never ends early (after party after party)

This movement should not be taken lightly or viewed as a FAD. Quite the contrary. Just one year ago STS9, one of the premier “livetronica” bands, headlined a two night run at the famous 9,000+ capacity Red Rocks Amphitheater in Colorado and then played there again this July with DJ Pretty Lights as the opening act! The show was preceded and followed by various raging parties and late night concerts all around Denver! The Disco Biscuits, at the same venue, put together a mini 2 day festival called Bisco Inferno in which Paul Oakenfold played along side “livetronica” bands – Lotus, The New Deal and fellow DJs Z-Trip & RJD2. On top of that, about a month ago, The Disco Biscuits held their 8th annual Camp Bisco in New York. The 3 day festival was the perfect marriage between the jam band and dance music scenes. Just a few of the artist including – STS9, Chromeo, EOTO, Pretty Lights, and Shpongle!

With all of this happening it is hard to deny that dance music is one the biggest trends in music today. It is not just a style that has evolved in its own right, but one that has deeply re-shaped other musical genres. Below is a list of some of the leaders in the “livetronica” movement. It should be noted that many of these artist don’t consider themselves to be Jam Bands but the fact is that this is the community which has embraced them and where they came from.

The Disco Biscuits
Sound Tribe Sector 9 (STS9)
Lotus
The New Deal
EOTO
Future Rock
Pnuma Trio
The Motet ( These guys are shifting into livetronica and Mr. Gracie actually enjoys them ;) )

If any of our readers will be in Louisville on October 14th, Sound Tribe Sector 9 (STS9)”>STS9 is playing the Brown Theatre. I highly recommend you check out this band as they have quickly become one of the most popular and influential bands in the “Livetronica” scene. I for one will be in attendance dancing my ass off 6th row center! It will be a show not to miss. As they say in my community these guys bring the “UNTZ”.

John “The Grizz” Grisanti